Jump to ContentJump to Main Navigation
The Voice of the HeartThe Working of Mervyn Peake's Imagination$
Users without a subscription are not able to see the full content.

G. Peter Winnington

Print publication date: 2006

Print ISBN-13: 9781846310225

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846314391

Show Summary Details
Page of
date: 18 January 2018

Perspective

Perspective

Chapter:
(p.192) 9 Perspective
Source:
The Voice of the Heart
Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781846310225.003.0010

This chapter examines Peake's shifting perspectives or viewpoints as reflected in his work. In his graphic works, his portraits respect the classic distances – head and shoulders, seated, or full length – and the angle of view is slightly raised or lowered. Peake's illustrations, on the other hand, often introduce a sense of tension and drama by raising the point of view to 12 or 15 feet above the ground. In his books, he employs a wide range of viewpoints, with significant variations: the longer the text, the more extreme the views.

Keywords:   perspectives, portraits, illustrations, texts, books

Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.