Frank O'Hara Now: New Essays on the New York Poet
Frank O'Hara Now: New Essays on the New York Poet
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Abstract
Frank O'Hara's writing is central to any consideration of twentieth-century American poetry. This book asks why O'Hara remains so important to twenty-first-century readers and writers of poetry. The book is transatlantic in tone, combining American scholarship with a wide sampling of British writers. For many, O'Hara's distinctive appeal depends on his witty depictions of urban experience, his relationship to the painters of Abstract Expressionism and the exhilarating immediacy of his poetic voice. Yet these chatty and approachable qualities coexist with a testing engagement with currents in European and American modernism. This book offers a comprehensive picture of the poet, presenting the conversational insouciance of the writing alongside its more intransigent features.
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Front Matter
- Introduction
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1 City
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2 Selves
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3 The Work of Others
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Frank O'Hara, Alfred Leslie and the Making of The Last Clean Shirt
Kane Daniel
- Kites and Poses: Attitudinal Interfaces In Frank O'hara and Grace Hartigan
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‘In Fatal Winds’: Frank O'hara and Morton Feldman
- ‘Footprints of a Wild Ballet’: The Poem-Paintings of Frank O'Hara and Norman Bluhm
- Memory Pieces: Collage, Memorial and the Poetics of Intimacy in Joe Brainard, Jasper Johns and Frank O'Hara
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Frank O'Hara, Alfred Leslie and the Making of The Last Clean Shirt
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End Matter
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