Women's Experimental Poetry in Britain 1970-2010: Body, Time and Locale
Women's Experimental Poetry in Britain 1970-2010: Body, Time and Locale
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Abstract
This book presents the history and current state of women’s experimental poetry in Britain — a critically neglected, significant body of contemporary writing — and places it within the wider social and political contexts of the period. Ranging from Geraldine Monk’s ventriloquising of the Pendle witches to Denise Riley’s fiercely self-critical lyric poems, from the multimedia experiments of Maggie O’Sullivan to the globally aware, politicised sequences of Andrea Brady and Jennifer Cooke, this book theorises women’s alternative poetry in terms of Julia Kristeva’s idea of ‘women’s time’ and in terms of the female poetic voice constantly negotiating with dominant systems of representation.
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Front Matter
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Contexts
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Poetries
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4
Veronica Forrest-Thomson and Wendy Mulford: Lyric Transformations
David Kennedy andChristine Kennedy
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5
Geraldine Monk: Supernatural Soundscapes and Interregnum
David Kennedy andChristine Kennedy
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6
Denise Riley: Corporeal and Desiring Spaces
David Kennedy andChristine Kennedy
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7
Maggie O’Sullivan: ‘Declensions of the non’
David Kennedy andChristine Kennedy
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8
Harriet Tarlo, Elizabeth Bletsoe and Helen Macdonald: ‘Being Outside’
David Kennedy andChristine Kennedy
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9
Caroline Bergvall, Elizabeth James/Frances Presley and Redell Olsen: Virtual Spaces
David Kennedy andChristine Kennedy
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10
Younger Women Poets 1: Anna Mendelssohn, Emily Critchley and Sophie Robinson
David Kennedy andChristine Kennedy
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11
Younger Women Poets 2: Marianne Morris, Andrea Brady and Jennifer Cooke
David Kennedy andChristine Kennedy
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4
Veronica Forrest-Thomson and Wendy Mulford: Lyric Transformations
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End Matter
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