Patrick Crowley and Shirley Jordan (eds)
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620658
- eISBN:
- 9781789623918
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620658.001.0001
- Subject:
- Literature, European Literature
The chapters in this book respond to important questions about the formal properties of French literary texts and the agency of form. A central feature of twentieth- and twenty-first century French ...
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The chapters in this book respond to important questions about the formal properties of French literary texts and the agency of form. A central feature of twentieth- and twenty-first century French and Francophone writing has been the exploration of how cultural forms (literary, philosophical and visual) create distinctive semiotic environments and at the same time engage with external realities. The aim of this volume is to explore how the formal properties of a range of texts inflect our reading of them and, through that exploration, to renew the engagement with form that has been a key feature of French cultural production and of analysis in French studies.Less
The chapters in this book respond to important questions about the formal properties of French literary texts and the agency of form. A central feature of twentieth- and twenty-first century French and Francophone writing has been the exploration of how cultural forms (literary, philosophical and visual) create distinctive semiotic environments and at the same time engage with external realities. The aim of this volume is to explore how the formal properties of a range of texts inflect our reading of them and, through that exploration, to renew the engagement with form that has been a key feature of French cultural production and of analysis in French studies.
Alice Johnson
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620313
- eISBN:
- 9781789629910
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620313.001.0001
- Subject:
- History, British and Irish Modern History
This book reconstructs the social world of upper middle-class Belfast during the time of the city’s greatest growth, between the 1830s and the 1880s. Using extensive primary material including ...
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This book reconstructs the social world of upper middle-class Belfast during the time of the city’s greatest growth, between the 1830s and the 1880s. Using extensive primary material including personal correspondence, memoirs, diaries and newspapers, the author draws a rich portrait of Belfast society and explores both the public and inner lives of Victorian bourgeois families. Leading business families like the Corrys and the Workmans, alongside their professional counterparts, dominated Victorian Belfast’s civic affairs, taking pride in their locale and investing their time and money in improving it. This social group displayed a strong work ethic, a business-oriented attitude and religious commitment, and its female members led active lives in the domains of family, church and philanthropy. While the Belfast bourgeoisie had parallels with other British urban elites, they inhabited a unique place and time: ‘Linenopolis’ was the only industrial city in Ireland, a city that was neither fully Irish nor fully British, and at the very time that its industry boomed, an unusually violent form of sectarianism emerged. Middle-Class Life in Victorian Belfast provides a fresh examination of familiar themes such as civic activism, working lives, philanthropy, associational culture, evangelicalism, recreation, marriage and family life, and represents a substantial and important contribution to Irish social history.Less
This book reconstructs the social world of upper middle-class Belfast during the time of the city’s greatest growth, between the 1830s and the 1880s. Using extensive primary material including personal correspondence, memoirs, diaries and newspapers, the author draws a rich portrait of Belfast society and explores both the public and inner lives of Victorian bourgeois families. Leading business families like the Corrys and the Workmans, alongside their professional counterparts, dominated Victorian Belfast’s civic affairs, taking pride in their locale and investing their time and money in improving it. This social group displayed a strong work ethic, a business-oriented attitude and religious commitment, and its female members led active lives in the domains of family, church and philanthropy. While the Belfast bourgeoisie had parallels with other British urban elites, they inhabited a unique place and time: ‘Linenopolis’ was the only industrial city in Ireland, a city that was neither fully Irish nor fully British, and at the very time that its industry boomed, an unusually violent form of sectarianism emerged. Middle-Class Life in Victorian Belfast provides a fresh examination of familiar themes such as civic activism, working lives, philanthropy, associational culture, evangelicalism, recreation, marriage and family life, and represents a substantial and important contribution to Irish social history.
Upamanyu Pablo Mukherjee
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620283
- eISBN:
- 9781789629699
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620283.001.0001
- Subject:
- Literature, World Literature
This is the first book-length study of the relationship between science fiction, the techno-scientific policies of independent India, and the global non-aligned movement that emerged as a response to ...
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This is the first book-length study of the relationship between science fiction, the techno-scientific policies of independent India, and the global non-aligned movement that emerged as a response to Cold War and decolonization. Today, science-fiction writers are often used as government advisors on techno-scientific and defence policies. Such relationships between literature, policy and geo-politics have a long and complex history. Glimpses of this history can be seen in the case of the first generation of post-colonial Indian science fiction writers and their critical entanglements with both techno-scientific policies and the strategy of international non-alignment pursued by India’s first prime minister, Jawaharlal Nehru. This investigation reveals the surprisingly long and relatively unknown life of Indian science fiction, as well as the genre’s capacity to imagine alternative pathways to techno-scientific and geo-political developments that dominate our lives today.Less
This is the first book-length study of the relationship between science fiction, the techno-scientific policies of independent India, and the global non-aligned movement that emerged as a response to Cold War and decolonization. Today, science-fiction writers are often used as government advisors on techno-scientific and defence policies. Such relationships between literature, policy and geo-politics have a long and complex history. Glimpses of this history can be seen in the case of the first generation of post-colonial Indian science fiction writers and their critical entanglements with both techno-scientific policies and the strategy of international non-alignment pursued by India’s first prime minister, Jawaharlal Nehru. This investigation reveals the surprisingly long and relatively unknown life of Indian science fiction, as well as the genre’s capacity to imagine alternative pathways to techno-scientific and geo-political developments that dominate our lives today.
Alex Belsey
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620290
- eISBN:
- 9781789623574
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620290.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
The post-war British artist Keith Vaughan (1912-77) painted male figures, whether alone or in groups, as a life-long enquiry into identity, sensuality, and the sanctity of the body. Yet Vaughan was ...
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The post-war British artist Keith Vaughan (1912-77) painted male figures, whether alone or in groups, as a life-long enquiry into identity, sensuality, and the sanctity of the body. Yet Vaughan was not only a supremely accomplished painter; he was an impassioned, eloquent writer. Commenced in the summer of 1939 as war across Europe seemed inevitable, Vaughan’s journal was a space in which he could articulate ideas about politics, art, love and sex during a period of great political and personal upheaval. Image of a Man is the first book to provide a comprehensive critical reading of Vaughan’s extraordinary journal, which spans thirty-eight years and sixty-one volumes to form a major literary work and a fascinating document of changing times. From close textual analysis of the original manuscripts, this book uncovers the attitudes and arguments that shaped and reshaped Vaughan’s identity as a man and as an artist. It reveals a continual process of self-construction through journal-writing, undertaken to navigate the difficulties of conscientious objection, the complications of desire as a gay man, and the challenges of making meaningful art. By focussing on Vaughan’s journal-writing in the context of its many influences and its centrality to his art practice, Image of a Man offers not only a compelling new critical biography of a significant yet underappreciated artist, but also a sustained argument on the constructed nature of the ‘artist’ persona in early and mid-twentieth-century culture – and the opportunities afforded by life-writing, specifically journal and diary forms, to make such constructions possible.Less
The post-war British artist Keith Vaughan (1912-77) painted male figures, whether alone or in groups, as a life-long enquiry into identity, sensuality, and the sanctity of the body. Yet Vaughan was not only a supremely accomplished painter; he was an impassioned, eloquent writer. Commenced in the summer of 1939 as war across Europe seemed inevitable, Vaughan’s journal was a space in which he could articulate ideas about politics, art, love and sex during a period of great political and personal upheaval. Image of a Man is the first book to provide a comprehensive critical reading of Vaughan’s extraordinary journal, which spans thirty-eight years and sixty-one volumes to form a major literary work and a fascinating document of changing times. From close textual analysis of the original manuscripts, this book uncovers the attitudes and arguments that shaped and reshaped Vaughan’s identity as a man and as an artist. It reveals a continual process of self-construction through journal-writing, undertaken to navigate the difficulties of conscientious objection, the complications of desire as a gay man, and the challenges of making meaningful art. By focussing on Vaughan’s journal-writing in the context of its many influences and its centrality to his art practice, Image of a Man offers not only a compelling new critical biography of a significant yet underappreciated artist, but also a sustained argument on the constructed nature of the ‘artist’ persona in early and mid-twentieth-century culture – and the opportunities afforded by life-writing, specifically journal and diary forms, to make such constructions possible.
Hrileena Ghosh
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620610
- eISBN:
- 9781789629798
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620610.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature
The poet John Keats trained as a surgeon at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected manuscript: the ...
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The poet John Keats trained as a surgeon at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected manuscript: the notebook Keats maintained during this time, with the premise that in Keats’ medical Notebook exists a manuscript revealing both the true depth of the poet’s medical knowledge and the significant influence this exercised on his poetry. Reconstructing the lively medical world that played a formative role in Keats’ intellectual and imaginative development, this book explores the intriguing connections between Keats’ medical knowledge and his greatest poetry. It reveals that Keats’ two careers proved mutually enabling and enriching, with their co-existence contributing greatly to his success in both. Opening with a fully annotated edition of Keats’ medical Notebook newly transcribed from the manuscript, the book offers chapters on the provenance of Keats’ medical Notebook; the ‘hospital poems’ he wrote at Guy’s; the medical milieu of Keats’ daily life; his methods of working as revealed by his medical Notebook and other archival sources; and the medical contexts that informed his composition of Endymion and his 1820 volume, Lamia, Isabella, The Eve of St Agnes, and Other Poems. It shows how the visceral knowledge of human life that Keats gained at Guy’s Hospital transformed him into the ‘mighty poet of the human heart’, with new research recovering the many ways in which Keats’ creativity found expression in both his careers.Less
The poet John Keats trained as a surgeon at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected manuscript: the notebook Keats maintained during this time, with the premise that in Keats’ medical Notebook exists a manuscript revealing both the true depth of the poet’s medical knowledge and the significant influence this exercised on his poetry. Reconstructing the lively medical world that played a formative role in Keats’ intellectual and imaginative development, this book explores the intriguing connections between Keats’ medical knowledge and his greatest poetry. It reveals that Keats’ two careers proved mutually enabling and enriching, with their co-existence contributing greatly to his success in both. Opening with a fully annotated edition of Keats’ medical Notebook newly transcribed from the manuscript, the book offers chapters on the provenance of Keats’ medical Notebook; the ‘hospital poems’ he wrote at Guy’s; the medical milieu of Keats’ daily life; his methods of working as revealed by his medical Notebook and other archival sources; and the medical contexts that informed his composition of Endymion and his 1820 volume, Lamia, Isabella, The Eve of St Agnes, and Other Poems. It shows how the visceral knowledge of human life that Keats gained at Guy’s Hospital transformed him into the ‘mighty poet of the human heart’, with new research recovering the many ways in which Keats’ creativity found expression in both his careers.
Ruth Cruickshank
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620672
- eISBN:
- 9781789629828
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620672.001.0001
- Subject:
- Literature, European Literature
Eating and drinking are essential to survival. Yet for human animals, they are ambivalent, proliferating with ideological, historical and psychological leftovers. This study reveals and mobilizes the ...
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Eating and drinking are essential to survival. Yet for human animals, they are ambivalent, proliferating with ideological, historical and psychological leftovers. This study reveals and mobilizes the provisional meanings, repressed experiences and unacknowledged tensions bound up with representations of food, drink and their consumption. It creates a flexible critical framework by bringing together an unexploited convergence of post-war French thinkers who use – or whose thought is legible through – figures of eating and drinking, including Barthes, Bataille, Beauvoir, Bourdieu, Certeau, Cixous, Derrida, Fischler, Giard, Kristeva, Lacan, Lefebvre, Lévi-Strauss, Mayol and Sartre. New combinations emerge for elucidating the intersecting effects of: incorporation; constructs of class, gender and racial difference; bad faith; distinction; secondary ideological signifying systems; provisional meanings bound up with linguistic traces; economies of excess; everyday ‘making-do’; the ethics of consuming the other; the return of the repressed; lack; abjection; notions of ‘eating on the sly’, ‘mother’s milk’, the ‘omnivore’s paradox’ and ‘gastro-anomie’. Possibilities for re-thinking with eating and drinking are further exemplified in cases studies of novels in which – often beyond authorial intentions – food and drink are structurally important and interpretatively plural: Robbe-Grillet’s Les Gommes/The Erasers (1953); Ernaux’s Les Armoires vides/Cleaned Out (1974); Darrieussecq’s Truismes/Pig Tales (1996); and Houellebecq’sLa Carte et le territoire/The Map and the Territory (2010). New understandings of post-war French cultural production are revealed. But above all, the analyses demonstrate the potential – across genres, periods and places – for literary, comparative, cultural, film, gender and food studies of re-thinking with eating and drinking.Less
Eating and drinking are essential to survival. Yet for human animals, they are ambivalent, proliferating with ideological, historical and psychological leftovers. This study reveals and mobilizes the provisional meanings, repressed experiences and unacknowledged tensions bound up with representations of food, drink and their consumption. It creates a flexible critical framework by bringing together an unexploited convergence of post-war French thinkers who use – or whose thought is legible through – figures of eating and drinking, including Barthes, Bataille, Beauvoir, Bourdieu, Certeau, Cixous, Derrida, Fischler, Giard, Kristeva, Lacan, Lefebvre, Lévi-Strauss, Mayol and Sartre. New combinations emerge for elucidating the intersecting effects of: incorporation; constructs of class, gender and racial difference; bad faith; distinction; secondary ideological signifying systems; provisional meanings bound up with linguistic traces; economies of excess; everyday ‘making-do’; the ethics of consuming the other; the return of the repressed; lack; abjection; notions of ‘eating on the sly’, ‘mother’s milk’, the ‘omnivore’s paradox’ and ‘gastro-anomie’. Possibilities for re-thinking with eating and drinking are further exemplified in cases studies of novels in which – often beyond authorial intentions – food and drink are structurally important and interpretatively plural: Robbe-Grillet’s Les Gommes/The Erasers (1953); Ernaux’s Les Armoires vides/Cleaned Out (1974); Darrieussecq’s Truismes/Pig Tales (1996); and Houellebecq’sLa Carte et le territoire/The Map and the Territory (2010). New understandings of post-war French cultural production are revealed. But above all, the analyses demonstrate the potential – across genres, periods and places – for literary, comparative, cultural, film, gender and food studies of re-thinking with eating and drinking.
Peta Mayer
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620597
- eISBN:
- 9781789629927
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620597.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. ...
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Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. This book offers a queer rereading of Brookner by demonstrating the performative Romanticism of her novels to narrate multiple historical forms of homoerotic desire. It draws on diverse nineteenth-century intertexts from Charles Baudelaire to Henry James, Renée Vivien to Freud to establish a cross-historical and temporal methodology that emphasises figures of anachronism, the lesbian, the backwards turn and the woman writer. Delineating sets of narrative behaviours, tropes and rhetorical devices between Brookner’s Romantic predecessors and her own novels, the book produces a cast of Romantic personae comprising the military man, analysand, queer, aesthete, dandy, flâneur, degenerate and storyteller as hermeneutic figures for rereading Brookner. It then stages the performance of these personae along the specified narrative forms and back through six Brookner novels to reveal queer stories about their characters and plotlines. This new interpretation offers ways to think about Brookner’s contemporary female heroines as hybrid variations of (generally male) nineteenth-century artist archetypes. As a result it simultaneously critiques the heterosexual and temporal misreading that has characterised Brookner’s early reception.Less
Anita Brookner was a best-selling women’s writer, Booker Prize winner and an historian of French Romantic art. However she is best known for writing boring, outdated books about lonely, single women. This book offers a queer rereading of Brookner by demonstrating the performative Romanticism of her novels to narrate multiple historical forms of homoerotic desire. It draws on diverse nineteenth-century intertexts from Charles Baudelaire to Henry James, Renée Vivien to Freud to establish a cross-historical and temporal methodology that emphasises figures of anachronism, the lesbian, the backwards turn and the woman writer. Delineating sets of narrative behaviours, tropes and rhetorical devices between Brookner’s Romantic predecessors and her own novels, the book produces a cast of Romantic personae comprising the military man, analysand, queer, aesthete, dandy, flâneur, degenerate and storyteller as hermeneutic figures for rereading Brookner. It then stages the performance of these personae along the specified narrative forms and back through six Brookner novels to reveal queer stories about their characters and plotlines. This new interpretation offers ways to think about Brookner’s contemporary female heroines as hybrid variations of (generally male) nineteenth-century artist archetypes. As a result it simultaneously critiques the heterosexual and temporal misreading that has characterised Brookner’s early reception.
Etienne Achille, Charles Forsdick, and Lydie Moudileno (eds)
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620665
- eISBN:
- 9781789623666
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620665.001.0001
- Subject:
- History, Imperialism and Colonialism
Recognized as one of the most influential studies of memory in the late twentieth century for its elaboration of a ground-breaking paradigm for rethinking the relationship between the nation, ...
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Recognized as one of the most influential studies of memory in the late twentieth century for its elaboration of a ground-breaking paradigm for rethinking the relationship between the nation, territory, history and memory, Pierre Nora’s monumental project Les Lieux de mémoire has also been criticized for implying a narrow perception of national memory from which the legacy of colonialism was excluded. Driven by an increasingly critical postcolonial discourse on French historiography and fuelled by the will to acknowledge the relevance of the colonial in the making of modern and contemporary France, the present volume intends to address in a collective and sustained manner this critical gap by postcolonializing the French Republic’s lieux de mémoire. The various essays discern and explore an initial repertoire of realms and sites in France and the so-called Outremer that crystalize traces of colonial memory, while highlighting its inherent dialectical relationship with the firmly instituted national memory. By making visible the invisible thread that links the colonial to various manifestations of French heritage, the objective is to bring to the fore the need to anchor the colonial in a collective memory that has often silenced it, and foster new readings of the past as it is represented, remembered and inscribed in the nation’s collective imaginary.Less
Recognized as one of the most influential studies of memory in the late twentieth century for its elaboration of a ground-breaking paradigm for rethinking the relationship between the nation, territory, history and memory, Pierre Nora’s monumental project Les Lieux de mémoire has also been criticized for implying a narrow perception of national memory from which the legacy of colonialism was excluded. Driven by an increasingly critical postcolonial discourse on French historiography and fuelled by the will to acknowledge the relevance of the colonial in the making of modern and contemporary France, the present volume intends to address in a collective and sustained manner this critical gap by postcolonializing the French Republic’s lieux de mémoire. The various essays discern and explore an initial repertoire of realms and sites in France and the so-called Outremer that crystalize traces of colonial memory, while highlighting its inherent dialectical relationship with the firmly instituted national memory. By making visible the invisible thread that links the colonial to various manifestations of French heritage, the objective is to bring to the fore the need to anchor the colonial in a collective memory that has often silenced it, and foster new readings of the past as it is represented, remembered and inscribed in the nation’s collective imaginary.
Gavin Miller
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620603
- eISBN:
- 9781789623758
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620603.001.0001
- Subject:
- Literature, Criticism/Theory
Psychology and Science Fiction goes beyond such incidental observations and engagements to offer an in-depth exploration of science fiction literature’s varied use of psychological discourses, ...
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Psychology and Science Fiction goes beyond such incidental observations and engagements to offer an in-depth exploration of science fiction literature’s varied use of psychological discourses, beginning at the birth of modern psychology in the late nineteenth century, and concluding with the ascendance of neuroscience in the late twentieth century. Rather than dwelling on psychoanalytic readings, this literary investigation combines with history of psychology to offer attentive textual readings that explore five key psychological schools: evolutionary psychology, psychoanalysis, behaviourism, existential-humanism, and cognitivism. The varied functions of psychological discourses in science fiction are explored, whether to popularise and prophesy, to imagine utopia or dystopia, to estrange our everyday reality, to comment on science fiction itself, or to abet (or resist) the spread of psychological wisdom. Psychology and Science Fiction also considers how psychology itself has made use of science fiction in order to teach, to secure legitimacy as a discipline, and to comment on the present.Less
Psychology and Science Fiction goes beyond such incidental observations and engagements to offer an in-depth exploration of science fiction literature’s varied use of psychological discourses, beginning at the birth of modern psychology in the late nineteenth century, and concluding with the ascendance of neuroscience in the late twentieth century. Rather than dwelling on psychoanalytic readings, this literary investigation combines with history of psychology to offer attentive textual readings that explore five key psychological schools: evolutionary psychology, psychoanalysis, behaviourism, existential-humanism, and cognitivism. The varied functions of psychological discourses in science fiction are explored, whether to popularise and prophesy, to imagine utopia or dystopia, to estrange our everyday reality, to comment on science fiction itself, or to abet (or resist) the spread of psychological wisdom. Psychology and Science Fiction also considers how psychology itself has made use of science fiction in order to teach, to secure legitimacy as a discipline, and to comment on the present.
David M. Doyle and Liam O'Callaghan
- Published in print:
- 2020
- Published Online:
- May 2020
- ISBN:
- 9781789620276
- eISBN:
- 9781789629545
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620276.001.0001
- Subject:
- History, British and Irish Modern History
This is a comprehensive and nuanced historical survey of the death penalty in Ireland from the immediate post-Civil War period through to its complete abolition. Using original archival material, ...
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This is a comprehensive and nuanced historical survey of the death penalty in Ireland from the immediate post-Civil War period through to its complete abolition. Using original archival material, this book sheds light on the various social, legal and political contexts in which the death penalty operated and was discussed. In Ireland the death penalty served a dual function: as an instrument of punishment in the civilian criminal justice system, and as a weapon to combat periodic threats to the security of the state posed by the IRA. In closely examining cases dealt with in the ordinary criminal courts, this book elucidates ideas of class, gender, community and sanity and how these factors had an impact the administration of justice. The application of the death penalty also had a strong political dimension, most evident in the enactment of emergency legislation and the setting up of military courts specifically targeted at the IRA. As this book demonstrates, the civilian and the political strands converged in the story of the abolition of the death penalty in Ireland. Long after decision-makers accepted that the death penalty was no longer an acceptable punishment for ‘ordinary’ cases of murder, lingering anxieties about the threat of subversives dictated the pace of abolition and the scope of the relevant legislation.Less
This is a comprehensive and nuanced historical survey of the death penalty in Ireland from the immediate post-Civil War period through to its complete abolition. Using original archival material, this book sheds light on the various social, legal and political contexts in which the death penalty operated and was discussed. In Ireland the death penalty served a dual function: as an instrument of punishment in the civilian criminal justice system, and as a weapon to combat periodic threats to the security of the state posed by the IRA. In closely examining cases dealt with in the ordinary criminal courts, this book elucidates ideas of class, gender, community and sanity and how these factors had an impact the administration of justice. The application of the death penalty also had a strong political dimension, most evident in the enactment of emergency legislation and the setting up of military courts specifically targeted at the IRA. As this book demonstrates, the civilian and the political strands converged in the story of the abolition of the death penalty in Ireland. Long after decision-makers accepted that the death penalty was no longer an acceptable punishment for ‘ordinary’ cases of murder, lingering anxieties about the threat of subversives dictated the pace of abolition and the scope of the relevant legislation.
Virginia Woolf: Writing the World
The Colonial System Unveiled
Communities in Contemporary Anglophone Caribbean Short Stories
Irish Science Fiction
Stanislaw Lem: Selected Letters to Michael Kandel
Borrowed Forms
Dada 1916 in Theory
Decolonising the Intellectual
Involuntary Associations
