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Scripting Shame in African Literature

Stephen L. Bishop

- Shame is one of the most frequent underlying emotions expressed throughout sub-Saharan African literature, yet studies of such literature almost universally ignore the topic in favour of a focus on ... More

- Shame is one of the most frequent underlying emotions expressed throughout sub-Saharan African literature, yet studies of such literature almost universally ignore the topic in favour of a focus on the struggle for independence and the postcolonial situation, encompassing a search for individual, national, and ethnic identities and questions of corruption, changing gender roles, and conflicts between so-called tradition and modernity. Shame, however, is not antithetical to these investigations and, in fact, the persistent trope of shame undergirds many of them. This book locates these expressions of shame in sub-Saharan African literature and shows how its diverse literary representations underscore shame’s function as a fulcrum in the mutual constitution of subject and community on the continent. Though shame research is dominated by Western definitions and theories, this study emphasizes the centrality of African conceptions of shame in ways that notions of Western subjectivity dismiss or cannot capture.Less

Stirring the Pot of Haitian History: by Michel-Rolph Trouillot

Stirring the Pot of Haitian History is an original translation of Ti difé boulé sou istoua Ayiti (1977), the first book written by Haitian anthropologist Michel-Rolph Trouillot. Challenging ... More

Stirring the Pot of Haitian History is an original translation of Ti difé boulé sou istoua Ayiti (1977), the first book written by Haitian anthropologist Michel-Rolph Trouillot. Challenging understandings of Haitian history, Trouillot analyzes the pivotal role of self-emancipated revolutionaries in the Haitian Revolution and War of Independence (1791-1804), a generation of people who founded the modern Haitian state and advanced Haiti’s vibrant contemporary cultures. This book confronts the problems of self-serving politicians and the racial mythologizing of historical figures like Jean-Jacques Dessalines, Toussaint Louverture and André Rigaud. The author denounces corruption and racism as hereditary maladies received from the hyper-racist slave society of the French colony of Saint-Domingue. Trouillot also examines the socio-economic and political contradictions and inequalities of Saint-Domingue, traces the unravelling of the colony’s racist economic system after the revolts of 1791, and argues that Haitian Creole language and Haitian Vodou religion provided the bedrock cultural cohesion needed to fuel the resistance, revolt and warfare that led to Haitian independence on January 1, 1804. Trouillot blends Marxist criticism, deep readings in Haitian historiography, anthropological insights, and skilful handling of Haiti's rich oral traditions of storytelling, proverbs and wisdom sayings to provide a sharp and earthy account of Haitian social and political thought rooted in the style and culture of Haitian Creole speakers. Each chapter opens with a line of verse, song or a proverb that pulls readers into a historical oral performance. Haitian oral tradition from popular culture and Vodou religion mingle with explorations of complex social and political realities and historical hypotheses. Although the Haitian Creole majority language still plays second fiddle to French in government and education, Ti difé boulé sou istoua Ayiti is a major contribution in the effort to demonstrate the power of Haitian Creole scholarship. Stirring the Pot of Haitian History holds a preeminent place in the expanding canon of Haitian Creole and Caribbean literature, especially as it shows how historical problems continue to insinuate themselves within the contemporary moment.Less

Abdelkébir Khatibi: Postcolonialism, Transnationalism, and Culture in the Maghreb and Beyond

Jane Hiddleston and Khalid Lyamlahy (eds)

Abdelkébir Khatibi (1938–2009) is one of the greatest Moroccan thinkers, and one of the most important theorists of both postcolonialism and Islamic culture of the late twentieth and early ... More

Abdelkébir Khatibi (1938–2009) is one of the greatest Moroccan thinkers, and one of the most important theorists of both postcolonialism and Islamic culture of the late twentieth and early twenty-first centuries. This book introduces his works to Anglophone readers, tracing his development from the early work on sociology in Morocco to his literary and aesthetic works championing transnationalism and multilingualism. The essays here both offer close analyses of Khatibi’s engagements with a range of issues, from Moroccan politics to Arabic calligraphy and from decolonisation to interculturality, and highlights the important contribution of his thinking to the development of Western postcolonial and modern theory. The book acknowledges the legacy of one of the greatest African thinkers of the last century, and addresses the lack of attention to his work in the field of postcolonial studies. More than a writer, a sociologist or a thinker, Khatibi was a leading figure and an eclectic intellectual whose erudite works can still inform and enrich current reflections on the future of postcolonialism and the development of intercultural and transnational studies. The book also includes translated excerpts from Khatibi’s works, thus offering a multilingual perspective on his writing.Less

Final Frontiers: Science Fiction and Techno-Science in Non-Aligned India

Upamanyu Pablo Mukherjee

This is the first book-length study of the relationship between science fiction, the techno-scientific policies of independent India, and the global non-aligned movement that emerged as a response to ... More

This is the first book-length study of the relationship between science fiction, the techno-scientific policies of independent India, and the global non-aligned movement that emerged as a response to Cold War and decolonization. Today, science-fiction writers are often used as government advisors on techno-scientific and defence policies. Such relationships between literature, policy and geo-politics have a long and complex history. Glimpses of this history can be seen in the case of the first generation of post-colonial Indian science fiction writers and their critical entanglements with both techno-scientific policies and the strategy of international non-alignment pursued by India’s first prime minister, Jawaharlal Nehru. This investigation reveals the surprisingly long and relatively unknown life of Indian science fiction, as well as the genre’s capacity to imagine alternative pathways to techno-scientific and geo-political developments that dominate our lives today.Less

Contesting the Classroom: Reimagining Education in Moroccan and Algerian Literatures

Erin Twohig

Contesting the Classroom is the first scholarly work to analyze both how Algerian and Moroccan novels depict the postcolonial classroom, and how postcolonial literature is taught in Morocco and ... More

Contesting the Classroom is the first scholarly work to analyze both how Algerian and Moroccan novels depict the postcolonial classroom, and how postcolonial literature is taught in Morocco and Algeria. Drawing on a corpus of contemporary novels in French and Arabic, it shows that authors imagined the fictional classroom as a pluralistic and inclusive space, often at odds with the narrow nationalist vision of postcolonial identity. Yet when authors wrote about the school, they also had to consider whether their work would be taught in schools. As this book’s original research on the teaching of literature shows, Moroccan and Algerian schools have largely failed to promote the works of local authors in public school curricula. This situation has dramatically altered literary portraits of education: novels marginalized in the public education system must creatively reimagine what pedagogy looks like and where it can take place.Less

Contested Identities in Costa Rica: Constructions of the Tico in Literature and Film

Liz Harvey-Kattou

Costa Rica is a country known internationally for its eco-credentials, dazzling coastlines, and reputation as one of the happiest and most peaceful nations on earth. Beneath this façade, however, ... More

Costa Rica is a country known internationally for its eco-credentials, dazzling coastlines, and reputation as one of the happiest and most peaceful nations on earth. Beneath this façade, however, lies an exclusionary rhetoric of nationalism bound up in the concept of the tico, as many Costa Ricans refer to themselves. Beginning by considering the very idea of national identity and what this constitutes, this book explores the nature of the idealised tico identity, demonstrating the ways in which it has assumed a white supremacist, Central Valley-centric, patriarchal, heteronormative stance based on colonial ideals. Chapters two and three then go on to consider the literature and films produced that stand in opposition to this normative image of who or what is tico and their creation as vehicles of soft power which aim to question social norms. This book explores protest literature from the 1970s by Quince Duncan, Carmen Naranjo, and Alfonso Chase who narrate their experiences from the margins of society by virtue of their identity as Afro-Costa Rican, feminist, and homosexual authors. Cinema from the twenty-first century is then analysed to demonstrate the nuanced and intersectional position chosen by national directors Esteban Ramírez, Paz Fábrega, Jurgen Ureña, and Patricia Velásquez to challenge the dominant nation-image as they reinscribe youth culture, Afro-Costa Rica, a female consciousness, and trans identity into the fabric of the nation.Less

Joseph Zobel: Négritude and the Novel

Louise Hardwick

Joseph Zobel (1915-2006) is one of the best-known Francophone Caribbean authors, and is internationally recognized for his novel La Rue Cases-Nègres (1950). Yet very little is known about his other ... More

Joseph Zobel (1915-2006) is one of the best-known Francophone Caribbean authors, and is internationally recognized for his novel La Rue Cases-Nègres (1950). Yet very little is known about his other novels, and most readings of La Rue Cases-Nègres consider the text in isolation. Through a series of close readings of the author’s six published novels, with supporting references drawn from his published short stories, poetry and diaries, Joseph Zobel: Négritude and the Novel generates new insights into Zobel’s highly original decision to develop Négritude’s project of affirming pride in black identity through the novel and social realism. The study establishes how, influenced by the American Harlem Renaissance movement, Zobel expands the scope of Négritude by introducing new themes and stylistic innovations which herald a new kind of social realist French Caribbean literature. These discoveries in turn challenge and alter the current understanding of Francophone Caribbean literature during the Négritude period, in addition to contributing to changes in the current understanding of Caribbean and American literature more broadly understood.Less

Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean

Jason Herbeck

Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, ... More

Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.Less

Pacifist Invasions: Arabic, Translation & the Postfrancophone Lyric

Yasser Elhariry

Pacifist Invasions: Arabic, Translation, and the Postfrancophone Lyric is about what happens to the contemporary French lyric in the translingual Arabic context. Drawing on lyric theory, comparative ... More

Pacifist Invasions: Arabic, Translation, and the Postfrancophone Lyric is about what happens to the contemporary French lyric in the translingual Arabic context. Drawing on lyric theory, comparative poetics, and linguistics, it demonstrates how Arabic literature and Islamic scripture pacifically invade French in poetry by Habib Tengour (Algeria), Edmond Jabès (Egypt), Salah Stétié (Lebanon), Abdelwahab Meddeb (Tunisia), and Ryoko Sekiguchi (Japan). Pacifist Invasions deploys comparative side-by-side close readings of classical Arabic literature, Islamic scripture, and the Arabic commentary traditions in the original language, against the landscape of contemporary Francophone literature, poetry, and poetics. Detailed close readings reveal three generic modes of translating Arabic poetics into French lyric. The book analyzes how poets writing in French pacifically invade the language by engaging in a translational and intertextual relationship with the history and world of Arabic literature. Pacifist Invasions reveals the central importance of translational and intertextual poetics after colonialism, as they pacifically invade and denature the monolingual fabric of French. It recasts the field of Francophone Studies to account for transversal and transhistorical transmissions of literary forms and languages in Arabic, and offers fresh insight into the question of writing in the colonizer’s language. The study shifts the focus to the context of Arabic and Islamic literary cultures, demonstrating how they pacifically invade French from within, rather than writing back from the margins of empire. Through close readings of poetry, translations, commentaries, chapbooks, art books, and essays, Pacifist Invasions proposes a rereading of Francophone literature in relation to the translations and transmissions of classical Arabic poetics, offering a translingual, comparative repositioning of the field of Francophone postcolonial studies along a fluid, translational Franco-Arabic axis.Less

Bourdieu and Postcolonial Studies

Raphael Dalleo (ed.)

Postcolonial studies has taken a significant turn since 2000 from the post-structural focus on language and identity of the 1980s and 1990s to more materialist and sociological approaches. A key ... More

Postcolonial studies has taken a significant turn since 2000 from the post-structural focus on language and identity of the 1980s and 1990s to more materialist and sociological approaches. A key theorist in inspiring this innovative new scholarship has been Pierre Bourdieu. Bourdieu and Postcolonial Studies shows the emergence of this strand of postcolonialism through collecting texts that pioneered this approach—by Graham Huggan, Chris Bongie, and Sarah Brouillette—as well as emerging scholarship that follows the path these critics have established. This Bourdieu-inspired work examines the institutions that structure the creation, dissemination, and reception of world literature; the foundational values of the field and its sometimes ambivalent relationship to the popular; and the ways concepts like habitus, cultural capital, consecration and anamnesis can be deployed in reading postcolonial texts. Topics include explorations of the institutions of the field such as the B.B.C.’s Caribbean voices program and the South African publishing industry; analysis of Bourdieu’s fieldwork in Algeria during the decolonization era; and comparisons between Bourdieu’s work and alternative versions of literary sociology such as Pascale Casanova’s and Franco Moretti’s. The sociological approach to literature developed in the collected essays shows how, even if the commodification of postcolonialism threatens to neutralize the field’s potential for resistance and opposition, a renewed project of postcolonial critique can be built in the contaminated spaces of globalization.Less