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Excavating the FutureArchaeology and Geopolitics in Contemporary North American Science Fiction Film and Television$
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Shawn Malley

Print publication date: 2018

Print ISBN-13: 9781786941190

Published to Liverpool Scholarship Online: May 2019

DOI: 10.3828/liverpool/9781786941190.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 14 October 2019

Envoi

Envoi

Chapter:
(p.191) Envoi
Source:
Excavating the Future
Author(s):

Shawn Malley

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781786941190.003.0010

Excavating the Future concludes with a discussion of two real-world archaeological events: ISIS’s destruction of artefacts at Palmyra and Nimrud and the reaction by heritage preservation organizations to simulate destroyed artefacts through 3D printing, stereoscopic modelling, and crowdsourcing projects. The envoi contends that these reproductive countermeasures to the world-wide media dissemination of terrorist attacks on material history serve to perpetuate a desired future born from the very logic of globalization and progress that has made World Heritage sites such irresistible targets for Islamic extremists. The envoi argues that SF’s response to the material conditions of history in the post 9/11 world invites attentive audiences to remain suspicious of such iconodulist claims upon the past and future.

Keywords:   science fiction film and television, archaeology, geopolitics, ISIS, Palmyra, Nimrud, 3D printing

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