The book concludes with a brief discussion of Shakespeare’s second historical tetralogy: the one short-lived moment on the English stage which fully realizes the potential of the idea of a man-made etiology of politics through the figure of the ‘new prince’ who successfully establishes a new political order and a new dynasty. With particular focus on Richard II, I argue that even though Shakespeare, in the figure of Henry Bolingbroke, holds up for scrutiny what appears to be an exception to the usurper-tyrant overlap, by extending the central thesis of this book to this group of texts it can be shown that far from being an anomaly, in fact the operation of poiesis in political life is permitted legitimate theatrical expression in Shakespeare’s second tetralogy. A fuller analysis of this moment could be a potential subject for further research along the line of enquiry opened up in this book.
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