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Writing and the RevolutionVenezuelan Metafiction 2004-2012$
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Katie Brown

Print publication date: 2019

Print ISBN-13: 9781786942197

Published to Liverpool Scholarship Online: January 2020

DOI: 10.3828/liverpool/9781786942197.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 01 June 2020

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Writing and the Revolution
Author(s):

Katie Brown

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781786942197.003.0001

The introduction posits the enduring importance of the national in Venezuelan literature, in contrast to recent theories of ‘global’ Latin American literature. It argues that factors including the absence of Venezuela from the ‘Boom’ and low levels of migration from Venezuela until the 21st century have limited the opportunities for the global circulation of Venezuelan literature, thereby making national markets and the cultural policy of the Bolivarian Revolution more significant. This cultural policy is then outlined, as well as recent developments in national publishing outside the state system. The introduction also includes an overview of the eight novels and authors to be studied, as well as a summary of relevant theories of metafiction, autofiction and intertextuality in relation to these texts.

Keywords:   Cultural policy, Venezuela, Bolivarian Revolution, Boom, Latin American literature, Literary circulation, Literary markets, Metafiction, Intertextuality, Autofiction

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