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What Forms Can DoThe Work of Form in 20th- and 21st- Century French Literature and Thought$
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Patrick Crowley and Shirley Jordan

Print publication date: 2020

Print ISBN-13: 9781789620658

Published to Liverpool Scholarship Online: September 2020

DOI: 10.3828/liverpool/9781789620658.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 17 September 2021

Convulsive Form

Convulsive Form

Benjamin, Bataille and the Innervated Body

Chapter:
(p.287) Chapter Eighteen Convulsive Form
Source:
What Forms Can Do
Author(s):

Patrick ffrench

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781789620658.003.0019

Starting from Giorgio Agamben's proposition, in 'Notes on Gesture', that the 20th-century is beset by a 'crisis of gesture' this chapter explores the convulsive or 'innervated body' in the work of Walter Benjamin and Georges Bataille. Taking a less melancholy approach than Agamben, I ask what can the convulsive body do and what forms can it produce. Both Benjamin and Bataille invest the convulsive body with a power susceptible to provoke affective 'discharge' and thus with a kind of political agency. Their approaches differ, however, over the nature of this politics; while Benjamin accentuates the potential of play and its gesturality, especially in his writing in cinema, Bataille pursues convulsion on the terrain of ritual and sacrifice, particularly in the novel Le Bleu du ciel. For both, however, the dangerous continuity between the convulsion and an authoritarian politics is at stake.  

Keywords:    Convulsion, Innervation, Walter Benjamin, Georges Bataille, Giorgio Agamben, Gesture

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