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Postcolonial Realms of MemorySites and Symbols in Modern France$
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Etienne Achille, Charles Forsdick, and Lydie Moudileno

Print publication date: 2020

Print ISBN-13: 9781789620665

Published to Liverpool Scholarship Online: September 2020

DOI: 10.3828/liverpool/9781789620665.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 28 July 2021

Borders

Borders

Chapter:
(p.85) Borders
Source:
Postcolonial Realms of Memory
Author(s):

Michael Gott

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781789620665.003.0008

This essay argues for a broader conception of the ‘border’ in a contemporary, postcolonial context. French borders are increasingly diffuse geographically and conceptually. Multidirectional population flows, the effects of European border policies and the ideational borders that delineate between putative insiders and outsiders must all be taken into account. In strictly spatial terms, the contemporary borders of France and Europe are not simply physical lines (however fluid or permeable) where people cross or are compelled to stop, but zones, spaces of contact and back-and-forth, or a ‘borderland’, to use étienne Balibar’s concept. Drawing on historical studies of immigration and current border theory, the essay takes two primary approaches to borders: first as social and political concepts and then as physical spaces or zones. It then concludes examples of cinematic representations of border crossings and border experiences, taken from French, francophone and wider European film industries.

Keywords:   Cinema, Borders, Migration, Border-crossing, French identity

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