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Articulating BodiesThe Narrative Form of Disability and Illness in Victorian Fiction$
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Kylee-Anne Hingston

Print publication date: 2019

Print ISBN-13: 9781789620757

Published to Liverpool Scholarship Online: May 2020

DOI: 10.3828/liverpool/9781789620757.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 27 September 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Articulating Bodies
Author(s):

Kylee-Anne Hingston

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781789620757.003.0001

Prompted by Victorians’ frequent conflation of body and text, the introduction argues that Victorian fiction’s narrative form, specifically plot structure and focalization, contributed to the development of disability as a concept; in particular, as fiction’s form developed from the massive hybrid novels of the early decades of the nineteenth century to the case-study length of fin-de-siècle mysteries, disability became increasingly medicalized, moving from the position of spectacle to specimen. The chapter addresses focalization’s evocation of the perceiving body, linking focalization to theories of staring and the specular in disability studies, and it provides a history of scholarship on Victorian illness and disability, thus placing the book’s argument in the fields of narratology, disability studies, and Victorian studies.

Keywords:   focalization, Victorian fiction, plot structure, medicalization, disability, illness, disability studies, narratology

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