Epilogue: ‘Sunny Spain’ (1914)
Epilogue: ‘Sunny Spain’ (1914)
Reaffirms how the transformation in Edwardian knowledge about Spain created a new, dynamic and diverse repertoire of Spanish images, shaped by the interests and experiences of an unprecedentedly diverse and uncompromisingly modern collection of experts. Traces the history of the failed ‘Sunny Spain’ tourism exhibition of 1914, and the insights it provides about the conflict between the Spanish desire to showcase their country as a modern economic partner, and the British view conditioned by a combination of French-mediated Romanticism and characteristically British condescension.
Keywords: Exhibition, Tourism, Knowledge, Sunny Spain, First World War
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