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Science Fiction and Climate ChangeA Sociological Approach$
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Andrew Milner and J.R. Burgmann

Print publication date: 2020

Print ISBN-13: 9781789621723

Published to Liverpool Scholarship Online: January 2021

DOI: 10.3828/liverpool/9781789621723.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 16 May 2021

The Critical Dystopia in Climate Fiction

The Critical Dystopia in Climate Fiction

Chapter:
(p.99) Chapter 5 The Critical Dystopia in Climate Fiction
Source:
Science Fiction and Climate Change
Author(s):

Andrew Milner

J.R. Burgmann

Publisher:
Discontinued
DOI:10.3828/liverpool/9781789621723.003.0005

This chapter develops an account of critical cli-fi dystopias that exhibit, by turn, each of five ideal-typical responses to climate change: denial, mitigation, negative adaptation, positive adaptation, and Gaian deep ecological anti-humanism. The texts analysed include Ian McEwan’s Solar, Kim Stanley Robinson’s 2312 and Aurora, Cormac McCarthy’s The Road, Jean-Marc Ligny’s AquaTM, David Mitchell’s The Bone Clocks, Margaret Atwood’s Oryx and Crake and The Year of the Flood, Claire Vaye Watkins’s Gold Fame Citrus, Brian Aldiss’s Helliconia trilogy and Frank Schätzing’s Der Schwarm.

Keywords:   Dystopia, McEwan, Robinson, McCarthy, Ligny, Mitchell, Atwood, Watkins, Aldiss, Schätzing

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