Show Summary Details
- Title Pages
- Figures
- Contributors
- Introduction
-
Chapter One The Destabilizing Materiality of the Autograph for Blake, Coleridge, and Tighe -
Chapter Two Affect in the Margins -
Chapter Three Remapping the Printed Page in Women’s Post-Waterloo Poetry -
Chapter Four Vibrant Art on the Grand Tour in Anna Jameson’s Diary of an Ennuyée -
Chapter Five Hester Stanhope, ‘Un être à part’ -
Chapter Six ‘The Redundancy of Copious Nothings’ -
Chapter Seven Revolutionary Objects in Elizabeth Inchbald’s Nature and Art -
Chapter Eight Dancing with Ghosts in ‘Isabella; or, The Pot of Basil’ -
Chapter Nine It’s the End of the World as We Know It and I Feel Queer -
Chapter Ten John Barnet and the Materiality of Desire in James Hogg’s Justified Sinner -
Chapter Eleven Werewolf Wollstonecraft -
Chapter Twelve Phantasmion, or the Confessions of a Female Opium Eater -
Chapter Thirteen Voices against the Universe - Index
(p.vii) Figures
(p.vii) Figures
- Source:
- Material Transgressions
- Author(s):
- Kate Singer, Ashley Cross, Suzanne L. Barnett
- Publisher:
- Liverpool University Press
Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Figures
- Contributors
- Introduction
-
Chapter One The Destabilizing Materiality of the Autograph for Blake, Coleridge, and Tighe -
Chapter Two Affect in the Margins -
Chapter Three Remapping the Printed Page in Women’s Post-Waterloo Poetry -
Chapter Four Vibrant Art on the Grand Tour in Anna Jameson’s Diary of an Ennuyée -
Chapter Five Hester Stanhope, ‘Un être à part’ -
Chapter Six ‘The Redundancy of Copious Nothings’ -
Chapter Seven Revolutionary Objects in Elizabeth Inchbald’s Nature and Art -
Chapter Eight Dancing with Ghosts in ‘Isabella; or, The Pot of Basil’ -
Chapter Nine It’s the End of the World as We Know It and I Feel Queer -
Chapter Ten John Barnet and the Materiality of Desire in James Hogg’s Justified Sinner -
Chapter Eleven Werewolf Wollstonecraft -
Chapter Twelve Phantasmion, or the Confessions of a Female Opium Eater -
Chapter Thirteen Voices against the Universe - Index
