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The Hangover after the HandoverThings, Places and Cultural Icons in Hong Kong$
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Helena Y.W. Wu

Print publication date: 2020

Print ISBN-13: 9781789621952

Published to Liverpool Scholarship Online: May 2021

DOI: 10.3828/liverpool/9781789621952.001.0001

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Connecting with the Local, or Not: The Song Emperor’s Terrace

Connecting with the Local, or Not: The Song Emperor’s Terrace

Chapter:
(p.89) Chapter Four Connecting with the Local, or Not: The Song Emperor’s Terrace
Source:
The Hangover after the Handover
Author(s):

Helena Y.W. Wu

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781789621952.003.0005

By taking the Song Emperor’s Terrace as the main object of analysis, Chapter 4 takes a step into history. The Terrace was once a popular cultural icon, for that it was valorized as a rock that stood witness to the royal visit paid to Hong Kong by the last two Song emperors at the end of the Song Dynasty in the thirteenth century—because of this event, the terrace became an oft-cited chanting object among the émigré-literati who fled China to Hong Kong during the late nineteenth and early twentieth centuries. To vent frustration at the loss of their home(land), nostalgia for ancient (Imperial) China and adherence to virtues such as loyalty and filial piety, the Terrace became a place of gathering for these literati in everyday life and an object that frequently appeared in their creative works, ranging from verses, calligraphy to paintings. With an eye to the special bond between the émigré-literati and the rock and David Der-wei Wang’s notion of “post-loyalism”, this chapter challenges the presumed collectivity of this literati community by unfolding their varying political aspirations, worldviews and connections to “Hong Kong” through the relationships they constructed with the rock.

Keywords:   Loyalism, Southbound literati, Classical literature, Milieu de memoire, Object-chanting poems, Hong Kong poetry, History, Nostalgia, Imperial China, Republican China

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