Show Summary Details
- Title Pages
- Illustrations
- Acknowledgements
- Introduction
-
1 The Growth of Copperplate Script -
2 Authorship in Script and Print -
3 Writing and the Preservation of Cultural Identity -
4 ‘The most beautiful hand’ -
5 An Archaeology of Letter Writing -
6 Private Pleasures and Portable Presses -
7 Performance and Print Culture -
8 Script, Print and the Public–Private Divide -
9 Identity, Enigma, Assemblage -
10 Marigolds Not Manufacturing -
11 Tourist Experience and the Manufacturing Town -
12 Perceptions of England -
13 Print Culture and Distribution -
14 The Serif-Less Letters of John Soane - Notes on Contributors
- Index
(p.xi) Acknowledgements
(p.xi) Acknowledgements
- Source:
- Pen, print and communication in the eighteenth century
- Author(s):
- Caroline Archer-Parré, Malcolm Dick
- Publisher:
- Liverpool University Press
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- Title Pages
- Illustrations
- Acknowledgements
- Introduction
-
1 The Growth of Copperplate Script -
2 Authorship in Script and Print -
3 Writing and the Preservation of Cultural Identity -
4 ‘The most beautiful hand’ -
5 An Archaeology of Letter Writing -
6 Private Pleasures and Portable Presses -
7 Performance and Print Culture -
8 Script, Print and the Public–Private Divide -
9 Identity, Enigma, Assemblage -
10 Marigolds Not Manufacturing -
11 Tourist Experience and the Manufacturing Town -
12 Perceptions of England -
13 Print Culture and Distribution -
14 The Serif-Less Letters of John Soane - Notes on Contributors
- Index
