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Absent the ArchiveCultural Traces of a Massacre in Paris, 17 October 1961$
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Lia Brozgal

Print publication date: 2020

Print ISBN-13: 9781789622386

Published to Liverpool Scholarship Online: May 2021

DOI: 10.3828/liverpool/9781789622386.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 29 November 2021

Excavating the Anarchive

Excavating the Anarchive

An Archeology of the Corpus

Chapter:
(p.31) Chapter One Excavating the Anarchive
Source:
Absent the Archive
Author(s):

Lia Brozgal

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781789622386.003.0002

Chapter 1 forms the essential foundation of the book, insofar as it names, describes, and thematises the contents of the anarchive—the cultural productions that have represented, directly or obliquely, the stories of October 17. While anarchive is presented in 3 “waves”--the original scene (1961-1963); the return to the scene (1983-1999); and the post-Papon anarchive (1999-)—the chapter nonetheless seeks to tease out the limits of periodization, calling attention to continuities over time. Chapter 1 also looks at trends and problems within the anarchive, investigating, in particular: the “turn,” in the 3rd wave, to visual representation and performance; debates about demands for historical accuracy and truth in fiction; and the anarchive’s relationship to scholarship on cultural production and memory. This analysis is also infused with a concern for epi-phenomenal and meta-textual matters, how issues of circulation, translation, marketing, authorial status, genre, and medium bear upon interpretation.

Keywords:   Periodization, Literature, Cinema, Theatre, Street art, Papon affair, Media, Performance, Memory Studies

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