- Title Pages
- Dedication
- Dedication
- Epigraph
- Dedication
- Preface and Acknowledgements
- Plate Acknowledgements
- Plates
- Introduction
- The Early Years
- From ‘Byzantine’ Miniatures to the Song of Songs
- From La Tentation de Saint Antoine to the Statute of Kalisz
- From George Washington to the League of Nations
- An Ambassador for Co-operation
- From The Haggadah to The Rubáiyát
- From Miniature to Caricature
- An Artist with a Message
- A Public Service Artist
- The Turn towards Peace
- Drawing Lessons
- Illustrations for a Young Peace
- Fighting for Israel
- In a Changing America
- Valediction
- Creating Arthur Szyk
- The Jewish Artist
- The Political Artist
- Books with Illustrations by Szyk
- Exhibitions and Reviews of Szyk’s Work
- Published Political Cartoons 1939–1950
- War Cartoons: Corporate Use
- Bibliography
- Index
- Plates
From The Haggadah to The Rubáiyát
From The Haggadah to The Rubáiyát
- Chapter:
- (p.92) From The Haggadah to The Rubáiyát
- Source:
- Arthur Szyk
- Author(s):
Joseph P. Ansell
- Publisher:
- Liverpool University Press
This chapter primarily discusses the background and context of Arthur Szyk's most enduring work, The Haggadah. It also provides an analysis of the work and its publication. For much of the 1930s, Szyk had been working on this illustrated and illuminated book — his version of the Haggadah, the prayer book used by the Jews for the celebration of Passover. The holiday of Passover commemorates the liberation and Exodus of the Jewish people from slavery in Egypt. It is thus a celebration of freedom. The decision to work with this text had both art-historical precedent and contemporary political significance. So that work on The Haggadah could be completed and the many details of its production could proceed smoothly, the Szyks settled in London in 1937. Although the several years he spent with his family in London were occupied primarily with work on The Haggadah, Szyk also worked on two additional and very different major projects: a series of paintings on the history of Poles in America and a set of eight illustrations for The Rubáiyát of Omar Khayyám.
Keywords: The Haggadah, London, England, Passover, art-historical precedent, The Rubáiyát of Omar Khayyám, American Poles
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- Title Pages
- Dedication
- Dedication
- Epigraph
- Dedication
- Preface and Acknowledgements
- Plate Acknowledgements
- Plates
- Introduction
- The Early Years
- From ‘Byzantine’ Miniatures to the Song of Songs
- From La Tentation de Saint Antoine to the Statute of Kalisz
- From George Washington to the League of Nations
- An Ambassador for Co-operation
- From The Haggadah to The Rubáiyát
- From Miniature to Caricature
- An Artist with a Message
- A Public Service Artist
- The Turn towards Peace
- Drawing Lessons
- Illustrations for a Young Peace
- Fighting for Israel
- In a Changing America
- Valediction
- Creating Arthur Szyk
- The Jewish Artist
- The Political Artist
- Books with Illustrations by Szyk
- Exhibitions and Reviews of Szyk’s Work
- Published Political Cartoons 1939–1950
- War Cartoons: Corporate Use
- Bibliography
- Index
- Plates