Jump to ContentJump to Main Navigation
The Thing$
Users without a subscription are not able to see the full content.

Jez Conolly

Print publication date: 2014

Print ISBN-13: 9781906733773

Published to Liverpool Scholarship Online: February 2021

DOI: 10.3828/liverpool/9781906733773.001.0001

Show Summary Details
Page of

PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 25 September 2021

‘What the hell are you looking at me like that for?’

‘What the hell are you looking at me like that for?’

Chapter:
(p.45) ‘What the hell are you looking at me like that for?’
Source:
The Thing
Author(s):

Jez Conolly

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781906733773.003.0005

This chapter discusses the significance of camera angles, and how this affects the way the story is received by the audience. It discusses how the camera, under the control of a filmmaker, can be put to use as the 'eyes' of the intended audience. It cites that the subjective point-of-view (POV) shot has been put to potent use in horror cinema many times, and how this is able to heighten the suspense. It describes how the different camera angles employed in The Thing allows the audience to witness the story from the point-of-view of different characters in the film. It also talks about how framing affects the way the audience is invited to view a character. It compares The Thing to The Shining and how the two films also offer their own interpretation on the concept of 'alienation': The Shining on a psychofamilial and spiritual/supernatural level, and The Thing on a psychosocial and actual physical level. The chapter also discusses the film's soundeffects and soundtrack and how these have added an extra visceral edge through the vocal range of the characters, both human and Thing.

Keywords:   camera angles, intended audience, The Shining, alienation, sound effects, soundtrack, The Thing

Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.