The Aesthetics of Artificial Authenticity
The Aesthetics of Artificial Authenticity
This chapter discusses the visual style of The Blair Witch Project (1999). In notable opposition to the slasher cycle and the later ‘torture porn’ trend in modern horror, The Blair Witch Project takes a distinctively ‘less is more’ approach to visuals. It fails to reveal much that is horrific in the truest sense of excess that characterises much of the horror genre in film. The Blair Witch Project relies on the power of suggestion and the fear of what is unseen. While the film has a witch as the central antagonist and the dark and frightening woods as its primary location, it attempts to create a realistic atmosphere through its presentation, deceiving the viewer into thinking they are watching the actual found footage of three disappeared students. It is presented to the audience as a work of fact; not a traditional horror film, but a documentary chronicling real events that were filmed by someone involved in a terrible experience. The chapter then considers the mockumentary or mock-documentary approach of The Blair Witch Project.
Keywords: The Blair Witch Project, modern horror, horror genre, suggestion, witch, found footage, mockumentary, mock-documentary
Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
