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Inception$
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David Carter

Print publication date: 2019

Print ISBN-13: 9781911325055

Published to Liverpool Scholarship Online: February 2021

DOI: 10.3828/liverpool/9781911325055.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 24 September 2021

Introductory Remarks

Introductory Remarks

Chapter:
(p.7) 1. Introductory Remarks
Source:
Inception
Author(s):

David Carter

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781911325055.003.0001

This introductory chapter provides an overview of Christopher Nolan's Inception (2010). Inception blurs the distinctions between various genres. It is considered as science fiction although it does not contain many of the elements associated with the genre. It can also be identified as a kind of heist film, and the first part of the film, the extraction, certainly involves a complex robbery; but then the second part of the film, while having many of the trappings of a heist, involves putting something into a heavily guarded location rather than stealing from it. Moreover, the heist motifs and the film's character types are reminiscent of film noir. Inception can also be described as a psychological thriller and it deals with the subject of time and how dreams are related to the conscious and unconscious mind.

Keywords:   Christopher Nolan, Inception, science fiction, heist film, film noir, psychological thriller, time, dreams, conscious mind, unconscious mind

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