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RoboCop$
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Omar Ahmed

Print publication date: 2018

Print ISBN-13: 9781911325253

Published to Liverpool Scholarship Online: February 2021

DOI: 10.3828/liverpool/9781911325253.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 18 May 2022

Genre Mutations

Genre Mutations

Chapter:
(p.19) Chapter 1: Genre Mutations
Source:
RoboCop
Author(s):

Omar Ahmed

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781911325253.003.0003

This chapter discusses Paul Verhoeven's RoboCop (1987) as a Western. Though the film's hybridity has been mentioned especially in regards to science fiction's interrelatedness with horror, and in the intertextual nods to Shane (1953), it has not been explored at length to sufficiently argue for iconographic slippages that account for the salience of the Western. The chapter's purpose is to widen the possibilities of looking intimately at the way iconographic details can create genre dissonance, what is known as ‘vraisemblance’. Reframing genre readings means retracing the intersections with the horror and science fiction. This includes accommodating for developments such as the science-fiction Western, a sub-genre that has veered from innovation to derision yet continues to elicit new rejoinders. The chapter then offers a consideration of Western themes, notably the savage, the massacre, and revenge, which intersects with the horror genre.

Keywords:   Paul Verhoeven, RoboCop, Western film, science fiction, horror genre, genre dissonance, science-fiction Western, Western themes

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