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RoboCop$
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Omar Ahmed

Print publication date: 2018

Print ISBN-13: 9781911325253

Published to Liverpool Scholarship Online: February 2021

DOI: 10.3828/liverpool/9781911325253.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 14 June 2021

The Legacy of RoboCop

The Legacy of RoboCop

Chapter:
(p.97) Chapter 4: The Legacy of RoboCop
Source:
RoboCop
Author(s):

Omar Ahmed

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781911325253.003.0006

This chapter explores the legacy of Paul Verhoeven's RoboCop in terms of the original critical reception, the film's relationship with its two sequels, and the marketing of the film. Released in the summer season of 1987, RoboCop was an unexpected commercial success, leading to the creation of the RoboCop universe, extending into television, video games, animation, and numerous sequels. The chapter then considers Verhoeven's work in the Hollywood science-fiction genre. The success of RoboCop led to an interest in science-fiction cinema that would lead Verhoeven to direct three more science-fiction films: Total Recall (1990), Starship Troopers (1997), and Hollow Man (2000). None of the films are pure science fiction but hybrids, fusing conventions from a broad range of genres including war movie, horror, and the political thriller.

Keywords:   Paul Verhoeven, RoboCop, RoboCop universe, Hollywood science-fiction genre, science-fiction cinema, science-fiction films, Total Recall, Starship Troopers, Hollow Man

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