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The Damned$
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Nick Riddle

Print publication date: 2019

Print ISBN-13: 9781911325529

Published to Liverpool Scholarship Online: February 2021

DOI: 10.3828/liverpool/9781911325529.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 03 August 2021

Landscape, Seascape, Manscape

Landscape, Seascape, Manscape

Chapter:
(p.47) Chapter 5: Landscape, Seascape, Manscape
Source:
The Damned
Author(s):

Nick Riddle

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781911325529.003.0006

This chapter focuses on the location and the first scenes of Joseph Losey's The Damned (1963). The Damned was Losey's first feature film in CinemaScope, though not, as most sources claim, his debut with the format; his short for Hammer, A Man on the Beach (1955), was shot in CinemaScope. Perhaps this previous experience gave Losey the confidence to take such full advantage of the possibilities offered by this ratio in the opening sequence. Losey chose Weymouth and Portland Bill as the locations partly because of his love of the Dorset of Thomas Hardy and John Cowper Powys. He referred to Portland Bill in an interview as 'a place where the British were developing germ warfare and also undersea warfare' — not quite accurate, as others have pointed out.

Keywords:   Joseph Losey, The Damned, CinemaScope, Hammer, opening sequence, Portland Bill

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