This chapter cites the elements of several film genres contained in Paweł Pawlikowski's Ida, such as the genre of historical film or road film that frames a coming-of-age story. It explains how the traditional road film focus on the relationships within the car or other mode of transportation rather than on the story unfolding outside. It also talks about interior conflicts that take precedence over exterior ones, which are often just a means of getting the characters on the road, while external conflicts lead to the transformation of the characters rather than the other way around. The chapter reviews the traditional three-act structure of screenplays that consists of a setup, a confrontation, and a resolution. It emphasizes how Ida diverges from the three-act structure in the final scene, in which Ida's maturation and Wanda's surrender take the place of a resolution.
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