Jump to ContentJump to Main Navigation
Rollerball$
Users without a subscription are not able to see the full content.

Andrew Nette

Print publication date: 2018

Print ISBN-13: 9781911325666

Published to Liverpool Scholarship Online: February 2021

DOI: 10.3828/liverpool/9781911325666.001.0001

Show Summary Details
Page of

PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 25 September 2021

Towards Rollerball

Towards Rollerball

Chapter:
(p.21) Chapter 1: Towards Rollerball
Source:
Rollerball
Author(s):

Andrew Nette

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781911325666.003.0002

This chapter discusses the origins of Rollerball (1975) in the context of science-fiction cinema in the late 1960s and the first half of the 1970s, when the genre began a move to the centre of the commercial film business. It also took a distinctly dark turn as the impact of the Vietnam War, economic recession, the OPEC oil crisis, debates about overpopulation, environmental destruction, and, in the US, urban decay, and the political corruption revealed by the Watergate scandal worked their way into public consciousness. These concerns were all reflected in 1970s science fiction, and particularly percolated up in the decade's dystopian offerings. They also gave rise to the paranoia cycle of Hollywood thrillers that appeared in the late 1960s and early 1970s, in the context of which aspects of Rollerball can be viewed. The chapter then outlines some of the broader cultural debates William Harrison and Norman Jewison found themselves part of during the same period, principally concerns over increasing violence in professional American sport and society more generally, technological change, and growing corporate power.

Keywords:   Rollerball, science-fiction cinema, 1970s science fiction, dystopian films, paranoia films, William Harrison, Norman Jewison, professional American sport, technological change, corporate power

Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.