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Creepshow$
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Simon Brown

Print publication date: 2019

Print ISBN-13: 9781911325918

Published to Liverpool Scholarship Online: February 2021

DOI: 10.3828/liverpool/9781911325918.001.0001

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Tales from The Crate: Creepshow, EC and ‘Comic Book Style’

Tales from The Crate: Creepshow, EC and ‘Comic Book Style’

Chapter:
(p.57) 4: Tales from The Crate: Creepshow, EC and ‘Comic Book Style’
Source:
Creepshow
Author(s):

Simon Brown

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781911325918.003.0005

This chapter examines how George A. Romero's Creepshow (1982) integrates EC's comic book visual style. At the same time as Romero and Stephen King were building upon EC's moral themes by introducing their own preoccupations, what they were also attempting was to create a film that integrated horror cinema and the visual look of EC comics. Interviewed in 1982, Romeo claimed that although it was ‘the irreverence and that graphic nature of the comics’ that attracted him to EC, the influence of EC in Creepshow ‘is not so much visual’. It is possible therefore that it was King who was initially the greater advocate for including comic book stylizations, since they were ‘very specifically planned and spelled out in the shooting script’. Although the influence of EC visuals was apparently of lesser importance to Romero initially, in its conception Creepshow was designed to ape the style of the comics to which it was an homage, and Romero certainly embraced this in the shooting, deliberately introducing moments that foreground a comic book visual style, including animated sequences, an expressionist use of colour at key moments, and the replication of the experience of reading a comic book through the use of panels within frames, gutters, and comic book style shot transitions.

Keywords:   George A. Romero, Creepshow, Stephen King, EC comics, comic book visual, horror cinema, comic book stylizations, animated sequences

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