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Creepshow$
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Simon Brown

Print publication date: 2019

Print ISBN-13: 9781911325918

Published to Liverpool Scholarship Online: February 2021

DOI: 10.3828/liverpool/9781911325918.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 14 May 2021

The Most Fun You’ll Have Being Scared: Creepshow and Humour

The Most Fun You’ll Have Being Scared: Creepshow and Humour

Chapter:
(p.85) 7: The Most Fun You’ll Have Being Scared: Creepshow and Humour
Source:
Creepshow
Author(s):

Simon Brown

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781911325918.003.0008

This chapter explores the way in which George A. Romero's Creepshow (1982) is situated within the early 1980s tradition of the horror comedy. If Creepshow did not have the level of savage violence and equally fierce social commentary that they expected from Romero, what did remain largely intact was Romero's subversive humour. This merging of the gory and the funny was an identifiable trope in the emerging splatter and body horror movement. King's comedy is sometimes even broader, particularly in his screenplays, which often lack the sophistication of Romero's use of humour in Dawn of the Dead. Although Creepshow was advertised as ‘The most fun you'll have being scared’, the film does not aim for big laughs. In general, Creepshow uses humour to undermine the horrors of what is depicted, which is similar to the way in which EC used puns.

Keywords:   George A. Romero, Creepshow, horror comedy, subversive humour, body horror, horror film

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