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The Mummy$
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Doris V. Sutherland

Print publication date: 2019

Print ISBN-13: 9781911325956

Published to Liverpool Scholarship Online: February 2021

DOI: 10.3828/liverpool/9781911325956.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 27 September 2021

Introduction

Introduction

Chapter:
(p.7) Introduction
Source:
The Mummy
Author(s):

Doris V. Sutherland

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781911325956.003.0001

This introductory chapter provides an overview of The Mummy (1932). While the setting and concepts of The Mummy were relatively new to horror cinema as it existed in 1932, the film's creative team nonetheless had plenty of sources from which to take inspiration. Universal Pictures' previous horror films had generally taken place against a European backdrop informed by English Gothic and German Expressionism. The Mummy, on the other hand, turned to Egypt and its ancient history for inspiration. In doing so, the film hit upon what was, as far as cinema was concerned, a fresh variety of monster: a living mummy. Thanks to The Mummy, the cloth-wrapped Egyptian revenant would join the vampire, the werewolf, and Frankenstein's Monster as a horror icon, one that would appear in innumerable sequels, imitations, and parodies. The chapter then details the plot of The Mummy.

Keywords:   The Mummy, horror cinema, Universal Pictures, horror films, Egypt, living mummy, horror icon

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