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John Dos Passos and Cinema$
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Lisa Nanney

Print publication date: 2019

Print ISBN-13: 9781942954873

Published to Liverpool Scholarship Online: January 2020

DOI: 10.3828/liverpool/9781942954873.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 05 June 2020

Conclusion

Conclusion

Chapter:
(p.183) Conclusion
Source:
John Dos Passos and Cinema
Author(s):

Lisa Nanney

Publisher:
Liverpool University Press
DOI:10.3828/liverpool/9781942954873.003.0010

Though The Spanish Earth (1937) is likely the only film most readers will associate with the novelist Dos Passos, the other three film projects he undertook, both produced and unproduced, provide new insight into the cinematic aesthetics that inform the methods of his ground-breaking modernist novels. Although his later fiction incorporated fewer innovative adaptations of film devices into their styles, in novels such as Most Likely to Succeed (1954) he continued to address what he saw as the failure of the film industry to fulfil its artistic and cultural potential. But innovative filmmakers in the twenty-first century have frequently cited Dos Passos’s narrative devices and preoccupations as central influences, and current films exploring the power of monopolistic corporations and consumerism and blurring distinctions among genres echo the writer’s modernist themes and methods. The diverse range of Dos Passos’s own cinematic viewing throughout his life reflects his lifelong interest in new ways of telling a story.

Keywords:   The Big Short, John Dos Passos Coggin, Lucy Dos Passos Coggin, filmgoing, Most Likely to Succeed, Vice

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