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The Business of Music$
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Michael Talbot

Print publication date: 2002

Print ISBN-13: 9780853235286

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846312717

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 15 June 2021

What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England

What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England

Chapter:
(p.62) 2 What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England
Source:
The Business of Music
Author(s):

Judith Blezzard

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9780853235286.003.0003

This chapter examines choral music and aspects of provincial music publishing in the North of England (mostly east of the Pennines) in the late nineteenth century. It shows how local publishers sustained a thriving culture of mostly amateur music-making during the period. After providing an overview of the music trade, the chapter considers growth areas in music publishing in the region during the period and looks at music publishers and their markets. It also discusses the remarkable growth of the music publishing industry in nineteenth-century London and the influence of Novello on choral music publishing in nineteenth-century England.

Keywords:   England, choral music, music publishing, Novello, music trade, music-making, London

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