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Deconstruction and the PostcolonialAt the Limits of Theory$
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Michael Syrotinski

Print publication date: 2007

Print ISBN-13: 9781846310560

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846312922

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 25 September 2021

Defetishizing Africa

Defetishizing Africa

Chapter:
(p.65) Chapter 4 Defetishizing Africa
Source:
Deconstruction and the Postcolonial
Publisher:
Liverpool University Press
DOI:10.5949/UPO9781846312922.005

This chapter discusses the question of fetishism as it relates to postcolonial Africa by examining what is perhaps the best-known film by the Senegalese film director Ousmane Sembene, Xala (The Curse, 1974), and an important study of this film by the film critic Laura Mulvey. It first looks at the ways in which fetishism functions both as a theme and as a rhetorical structuring device in Mulvey's reading of Sembene's Xala. The chapter extends this reading to another, more recent film by Sembene, Guelwaar, as well as a novel, Cinéma by the exiled Guinean writer Tierno Monénembo. Cinematic representation is in the context seen as an effective vehicle for political contestation in postcolonial Africa, but it puts into question the more classically Marxist positions to which Mulvey ultimately subscribes.

Keywords:   Ousmane Sembene, Senegalese film, Xala, fetishism, postcolonial Africa, Laura Mulvey

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