Jump to ContentJump to Main Navigation
The Musical Work: Reality or Invention?Reality or Invention?$
Users without a subscription are not able to see the full content.

Michael Talbot

Print publication date: 2000

Print ISBN-13: 9780853238256

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846313615

Show Summary Details
Page of

PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 21 September 2021

Re-composing Schubert

Re-composing Schubert

(p.205) 10 Re-composing Schubert
The Musical Work: Reality or Invention?

James Wishart

Liverpool University Press

This chapter explores the relationship between hypotexts and hypertexts by focusing on composers Michael Tippett, Luciano Berio, Hans Zender and Franz Schubert. It looks at explicit parallels with music from traditions other than the West European Classical Tradition, discusses musical arrangements and re-compositions and considers the use of quotations in musical work. It also analyses Berio's Sinfonia and Rendering, Tippett's 1970 opera The Knot Garden, and Zender's ‘composed interpretation’ of ‘Winterreise’.

Keywords:   Franz Schubert, hypotexts, hypertexts, composers, Michael Tippett, Luciano Berio, Hans Zender, re-compositions, quotations, musical work

Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.