This chapter explores the relationship between hypotexts and hypertexts by focusing on composers Michael Tippett, Luciano Berio, Hans Zender and Franz Schubert. It looks at explicit parallels with music from traditions other than the West European Classical Tradition, discusses musical arrangements and re-compositions and considers the use of quotations in musical work. It also analyses Berio's Sinfonia and Rendering, Tippett's 1970 opera The Knot Garden, and Zender's ‘composed interpretation’ of ‘Winterreise’.
Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.