- Title Pages
- Notes on Contributors
1Some Thoughts on the Work in Popular Music
2Intertextuality and Hypertextuality in Recorded Popular Music
3Work-in(g)-Practice: Configurations of the Popular Music lntertext
4Work and Recordings: The Impact of Commercialisation and Digitalisation
5The Practice of Early-Nineteenth-Century Pianism
6Looking Back at Ourselves: The Problem with the Musical Work-Concept
7‘The Work’: An Evaluative Charge
8The Work-Concept and Composer-Centredness
9The Musical Artwork and its Materials in the Music and Aesthetics of Busoni
11‘On the Problems of Dating’ or ‘Looking Backward and Forward with Strohm’
- Index of Musical Compositions and Collections
- Index of Personal Names
- The Musical Work: Reality or Invention?
- Liverpool University Press
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