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- Title Pages
- Notes on Contributors
- Introduction
- 1 Some Thoughts on the Work in Popular Music
- 2 Intertextuality and Hypertextuality in Recorded Popular Music
- 3 Work-in(g)-Practice: Configurations of the Popular Music lntertext
- 4 Work and Recordings: The Impact of Commercialisation and Digitalisation
- 5 The Practice of Early-Nineteenth-Century Pianism
- 6 Looking Back at Ourselves: The Problem with the Musical Work-Concept
- 7 ‘The Work’: An Evaluative Charge
- 8 The Work-Concept and Composer-Centredness
- 9 The Musical Artwork and its Materials in the Music and Aesthetics of Busoni
- 10 Re-composing Schubert
- 11 ‘On the Problems of Dating’ or ‘Looking Backward and Forward with Strohm’
- Index of Musical Compositions and Collections
- Index of Personal Names
(p.253) Index of Personal Names
(p.253) Index of Personal Names
- Source:
- The Musical Work: Reality or Invention?
- Publisher:
- Liverpool University Press
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- Title Pages
- Notes on Contributors
- Introduction
- 1 Some Thoughts on the Work in Popular Music
- 2 Intertextuality and Hypertextuality in Recorded Popular Music
- 3 Work-in(g)-Practice: Configurations of the Popular Music lntertext
- 4 Work and Recordings: The Impact of Commercialisation and Digitalisation
- 5 The Practice of Early-Nineteenth-Century Pianism
- 6 Looking Back at Ourselves: The Problem with the Musical Work-Concept
- 7 ‘The Work’: An Evaluative Charge
- 8 The Work-Concept and Composer-Centredness
- 9 The Musical Artwork and its Materials in the Music and Aesthetics of Busoni
- 10 Re-composing Schubert
- 11 ‘On the Problems of Dating’ or ‘Looking Backward and Forward with Strohm’
- Index of Musical Compositions and Collections
- Index of Personal Names
