Show Summary Details
- Title Pages
- Notes on Contributors
- Introduction
-
1 Some Thoughts on the Work in Popular Music -
2 Intertextuality and Hypertextuality in Recorded Popular Music -
3 Work-in(g)-Practice: Configurations of the Popular Music lntertext -
4 Work and Recordings: The Impact of Commercialisation and Digitalisation -
5 The Practice of Early-Nineteenth-Century Pianism -
6 Looking Back at Ourselves: The Problem with the Musical Work-Concept -
7 ‘The Work’: An Evaluative Charge -
8 The Work-Concept and Composer-Centredness -
9 The Musical Artwork and its Materials in the Music and Aesthetics of Busoni -
10 Re-composing Schubert -
11 ‘On the Problems of Dating’ or ‘Looking Backward and Forward with Strohm’ - Index of Musical Compositions and Collections
- Index of Personal Names
(p.253) Index of Personal Names
(p.253) Index of Personal Names
- Source:
- The Musical Work: Reality or Invention?
- Publisher:
- Liverpool University Press
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- Title Pages
- Notes on Contributors
- Introduction
-
1 Some Thoughts on the Work in Popular Music -
2 Intertextuality and Hypertextuality in Recorded Popular Music -
3 Work-in(g)-Practice: Configurations of the Popular Music lntertext -
4 Work and Recordings: The Impact of Commercialisation and Digitalisation -
5 The Practice of Early-Nineteenth-Century Pianism -
6 Looking Back at Ourselves: The Problem with the Musical Work-Concept -
7 ‘The Work’: An Evaluative Charge -
8 The Work-Concept and Composer-Centredness -
9 The Musical Artwork and its Materials in the Music and Aesthetics of Busoni -
10 Re-composing Schubert -
11 ‘On the Problems of Dating’ or ‘Looking Backward and Forward with Strohm’ - Index of Musical Compositions and Collections
- Index of Personal Names
