- Title Pages
- Acknowledgements
- List of Contributors
- Dedication
- Introduction: Sounding Liverpool
-
1 George Garrett, Merseyside Labour and the Influence of the United States -
2 ‘No Struggle but the Home’: James Hanley's The Furys -
3 Paradise Street Blues: Malcolm Lowry's Liverpool -
4 ‘Unhomely Moments’ -
5 A Man from Elsewhere: The Liminal Presence of Liverpool in the Fiction of J.G. Farrell -
6 The Figure in the Carpet: An Interview with Terence Davies -
7 ‘Every Time a Thing is Possessed, It Vanishes’: The Poetry of Brian Patten -
8 Finding a Rhyme for Alphabet Soup: An Interview with Roger McGough -
9 Rewriting the Narrative: Liverpool Women Writers -
10 Jumping Off: An Interview with Linda Grant -
11 Ramsey Campbell's Haunted Liverpool -
12 ‘We Are a City That Just Likes to Talk’: An Interview with Alan Bleasdale -
13 ‘Culture Is Ordinary’: The Legacy of the Scottie Road and Liverpool 8 Writer -
14 ‘I've Got a Theory about Scousers’: Jimmy McGovern and Lynda La Plante -
15 Manners, Mores and Musicality: An Interview with Willy Russell -
16 Subversive Dreamers: Liverpool Songwriting from the Beatles to the Zutons -
17 Putting Down Roots: an Interview with Levi Tafari -
18 ‘Out of Transformations’: Liverpool Poetry in the Twenty-first Century
The Figure in the Carpet: An Interview with Terence Davies
The Figure in the Carpet: An Interview with Terence Davies
- Chapter:
- (p.105) 6 The Figure in the Carpet: An Interview with Terence Davies
- Source:
- Writing Liverpool
- Author(s):
Michael Murphy
- Publisher:
- Liverpool University Press
This chapter presents an interview with film maker Terence Davies, conducted on 8 May 2006 at Kettners Restaurant, Soho. Davies was born in Liverpool in 1945 and grew up in a working-class Catholic family. The films With Distant Voices, Still Lives (1988) and The Long Day Closes (1992) marked Davies out as the most important and distinctive British film-maker since Michael Powell. He subsequently adapted and directed two novels by American authors: John Kennedy Toole's The Neon Bible (1995), and Edith Wharton's The House of Mirth (2000).
Keywords: British film makers, screenwriters, With Distant Voices, Long Day Closes
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- Title Pages
- Acknowledgements
- List of Contributors
- Dedication
- Introduction: Sounding Liverpool
-
1 George Garrett, Merseyside Labour and the Influence of the United States -
2 ‘No Struggle but the Home’: James Hanley's The Furys -
3 Paradise Street Blues: Malcolm Lowry's Liverpool -
4 ‘Unhomely Moments’ -
5 A Man from Elsewhere: The Liminal Presence of Liverpool in the Fiction of J.G. Farrell -
6 The Figure in the Carpet: An Interview with Terence Davies -
7 ‘Every Time a Thing is Possessed, It Vanishes’: The Poetry of Brian Patten -
8 Finding a Rhyme for Alphabet Soup: An Interview with Roger McGough -
9 Rewriting the Narrative: Liverpool Women Writers -
10 Jumping Off: An Interview with Linda Grant -
11 Ramsey Campbell's Haunted Liverpool -
12 ‘We Are a City That Just Likes to Talk’: An Interview with Alan Bleasdale -
13 ‘Culture Is Ordinary’: The Legacy of the Scottie Road and Liverpool 8 Writer -
14 ‘I've Got a Theory about Scousers’: Jimmy McGovern and Lynda La Plante -
15 Manners, Mores and Musicality: An Interview with Willy Russell -
16 Subversive Dreamers: Liverpool Songwriting from the Beatles to the Zutons -
17 Putting Down Roots: an Interview with Levi Tafari -
18 ‘Out of Transformations’: Liverpool Poetry in the Twenty-first Century
