Jump to ContentJump to Main Navigation
Cinematic FictionsThe Impact of the Cinema on the American Novel up to World War II$
Users without a subscription are not able to see the full content.

David Seed

Print publication date: 2009

Print ISBN-13: 9781846312120

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846315190

Show Summary Details
Page of

PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 28 May 2020

H.D. and the Limits of Vision

H.D. and the Limits of Vision

Chapter:
(p.49) 3 H.D. and the Limits of Vision
Source:
Cinematic Fictions
Publisher:
Liverpool University Press
DOI:10.5949/UPO9781846315190.004

This chapter focuses on poet and novelist H.D. (Hilda Doolittle), who was actively involved in film-making for a time, and who, throughout her career, remained obsessively preoccupied with the visual but constantly pushed against the limits of visibility. ‘Vision’ was a term that oscillated in Doolittle's works between the physical and the transcendental, and for her, film was a crucial medium for exploring this border area.

Keywords:   Hilda Doolittle, poets, women novelists, films, vision

Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.