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Labyrinths of DeceitCulture, Modernity and Identity in the Nineteenth Century$
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Richard J. Walker

Print publication date: 2008

Print ISBN-13: 9780853238492

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846315404

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 28 May 2020

Conclusion

Conclusion

Ghost-script

Chapter:
(p.284) Conclusion
Source:
Labyrinths of Deceit
Publisher:
Liverpool University Press
DOI:10.5949/UPO9781846315404.016

This book has explored the relationship between crisis and modernity in nineteenth-century England. It has assessed the impact of religion in crisis upon poetry and the poetic persona by considering the work of Alfred Tennyson, James Thomson, and Gerard Manley Hopkins. Identity, as represented in the texts analysed by the book, is clearly in a state of flux, crisis, and transition in all sorts of different configurations. The Industrial Revolution, for example, produced a disorientating effect upon identity in modernity. This book closes with a discussion of the vampire and T. S. Eliot's poem The Waste Land.

Keywords:   nineteenth-century England, identity, crisis, modernity, religion, vampire, T. S. Eliot, poetry, The Waste Land, Industrial Revolution

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