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Photo-textsContemporary French Writing of the Photographic Image$
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Andrew Stafford

Print publication date: 2010

Print ISBN-13: 9781846310522

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846316128

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 28 September 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Photo-texts
Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781846310522.003.0001

This book postulates the existence of the French ‘photo-text’, a third term between photographic image and written word. It analyses ten photo-texts to answer the questions: What do pictures want? Why does written language want to be appended to photographic images? The book focuses on the meeting place of photography and text as well as the cultural and political interregnum of a decade squeezed between two centuries. It also examines the ‘essay’ or, rather, essayism, with the aim of getting beyond the limited and limiting notion of what is known as the ‘pictorialist’ photo-essay. The chapter explores how the photo-essay negotiates memory and orality, and shows that photo-texts are concerned not only with memory, but also with history and time.

Keywords:   photo-texts, photographic images, written language, photography, photo-essay, memory, orality, history, essayism

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