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Activist PoeticsAnarchy in the Avon Valley$
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Niall Lucy and John Kinsella

Print publication date: 2010

Print ISBN-13: 9781846314698

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846316142

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 14 April 2021

Herewith the (Auto) Razó: Activism and the Poet

Herewith the (Auto) Razó: Activism and the Poet

Chapter:
(p.1) Chapter 1 Herewith the (Auto) Razó: Activism and the Poet
Source:
Activist Poetics
Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781846314698.003.0001

This chapter is an (auto) razó for an activist poetics. Here, Kinsella shares that before he takes a public action — write a letter of complaint, give a public lecture, attend a protest — he inevitably writes a poem on the subject. Poems usually follow the action too. And might continue to do so long after the event or issue has passed. The writing of poems becomes part of a mantra of witness and empowerment. Often, poems form a visceral and literal part of a protest. The chapter explores two recent activist issues and then charts their appearance and digressions in poetry. The issues are: visiting a forest protest site in the Arcadia jarrah forest in the southwest of Western Australia to lend support to activists; and involvement in a recent Indymedia discussion/protest against the use of violence by activists at the G20 conference held recently (November 2006) in Melbourne. Each of these ‘actions’ involved the writing of prose and poetry.

Keywords:   John Kinsella, activist poetics, poets, activism, protest, poetry writing, prose, public action

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