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Art and PluralismLawrence Alloway's Cultural Criticism$
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Nigel Whiteley

Print publication date: 2012

Print ISBN-13: 9781846316456

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846316708

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Continuum 1952–1961

Continuum 1952–1961

Chapter:
(p.19) Section B Continuum 1952–1961 (p.20)
Source:
Art and Pluralism
Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781846316456.003.0002

Lawrence Alloway's scope as an art critic became international in 1950, but his criticism only changed significantly the following year after a review of a Roberto Matta exhibition at the Institute of Contemporary Arts (ICA). This review marked Alloway's transition from connoisseurship and simple evaluation to a far more dense and demanding art criticism. This section focuses on Alloway's life as an art critic in the period 1952–1961. It provides an overview of ICA in the early 1950s and its Independent Group, Alloway's attitudes toward abstraction and figurative art, his cultural continuum model, his views on graphics and advertising, art autre, Alloway's first trip to the United States, and the emergence of Pop art.

Keywords:   Lawrence Alloway, art criticism, Institute of Contemporary Arts, abstraction, figurative art, United States, advertising, art autre, Pop art, cultural continuum model

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