Jump to ContentJump to Main Navigation
Art and PluralismLawrence Alloway's Cultural Criticism$
Users without a subscription are not able to see the full content.

Nigel Whiteley

Print publication date: 2012

Print ISBN-13: 9781846316456

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846316708

Show Summary Details
Page of

PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 29 May 2020

Alternatives 1971–1988

Alternatives 1971–1988

Chapter:
(p.289) Section D Alternatives 1971–1988 (p.290)
Source:
Art and Pluralism
Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781846316456.003.0004

This section focuses on Lawrence Alloway's life as an art critic in the period 1971–1988, beginning with the emergence of disorienting art as an expression of dissent in the art world, Alloway's response to the politicisation of art, his new pluralism, the uses and limits of art criticism, criticism and women's art, Alloway's writings on Photo-Realism and Earth art, the decline of the avant-garde, and crises in the art world concerning criticism, feminism and curatorship. It also looks at Alloway's last years.

Keywords:   Lawrence Alloway, art criticism, disorienting art, pluralism, women's art, feminism, Photo-Realism, Earth art, curatorship, avant-garde

Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.