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Art and PluralismLawrence Alloway's Cultural Criticism$
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Nigel Whiteley

Print publication date: 2012

Print ISBN-13: 9781846316456

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846316708

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Summary and Conclusion

Summary and Conclusion

Chapter:
(p.431) Section E Summary and Conclusion (p.432)
Source:
Art and Pluralism
Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9781846316456.003.0005

For Lawrence Alloway, the 1960s was ‘a period of exceptional high pressure, affluence, creativity, [and] confidence’, which was in stark contrast to the 1970s. This changed outlook in art was implied in the subtitle of Alan Sondheim's 1977 book on the contemporary avant-garde, Post-Movement Art in America. This section focuses on Lawrence Alloway's life as an art critic, beginning with his commitment to pluralism and his attitude towards Post-Modernism. It also discusses his views on art history and art criticism, his reputation as an art critic and the legacy of his pluralism.

Keywords:   Lawrence Alloway, art, Alan Sondheim, pluralism, Post-Modernism, art history, art criticism

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