Show Summary Details
- Title Pages
- Illustrations
- Acknowledgements
- Introduction
- Lafcadio Hearn's American Writings and the Creole Continuum
- Auguste Lussan's <i>La Famille créole</i>: How Saint-Domingue Émigrés Became Louisiana Creoles
- Caribbean and Creole in New Orleans
- Creolizing Barack Obama
- Richard Price or the Canadian From Petite-Anse: The Potential and the Limitations of a Hybrid Anthropology
- ‘Fightin’ the Future': Rhythm and Creolization in the Circum-Caribbean
- Leaving the South: Frantz Fanon, Modern Jazz and the Rejection of <i>Négritude</i>
- The Sorcerer and the <i>Quimboiseur</i>: Poetic Intention in the Works of Miles Davis and Édouard Glissant
- Creolizing Jazz, Jazzing the Tout-monde: Jazz, Gwoka and the Poetics of Relation
- Go Slow Now: Saying the Unsayable in Édouard Glissant's Reading of Faulkner
- Édouard Glissant and the Test of Faulkner's Modernism
- The Theme of the Ancestral Crime in the Novels of Faulkner, Glissant and Condé
- An American Story
- Notes on Contributors
- Index
Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Illustrations
- Acknowledgements
- Introduction
- Lafcadio Hearn's American Writings and the Creole Continuum
- Auguste Lussan's <i>La Famille créole</i>: How Saint-Domingue Émigrés Became Louisiana Creoles
- Caribbean and Creole in New Orleans
- Creolizing Barack Obama
- Richard Price or the Canadian From Petite-Anse: The Potential and the Limitations of a Hybrid Anthropology
- ‘Fightin’ the Future': Rhythm and Creolization in the Circum-Caribbean
- Leaving the South: Frantz Fanon, Modern Jazz and the Rejection of <i>Négritude</i>
- The Sorcerer and the <i>Quimboiseur</i>: Poetic Intention in the Works of Miles Davis and Édouard Glissant
- Creolizing Jazz, Jazzing the Tout-monde: Jazz, Gwoka and the Poetics of Relation
- Go Slow Now: Saying the Unsayable in Édouard Glissant's Reading of Faulkner
- Édouard Glissant and the Test of Faulkner's Modernism
- The Theme of the Ancestral Crime in the Novels of Faulkner, Glissant and Condé
- An American Story
- Notes on Contributors
- Index
