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- Title Pages
- Illustrations
- Acknowledgements
- Introduction
- Lafcadio Hearn's American Writings and the Creole Continuum
- Auguste Lussan's La Famille créole: How Saint-Domingue Émigrés Became Louisiana Creoles
- Caribbean and Creole in New Orleans
- Creolizing Barack Obama
- Richard Price or the Canadian From Petite-Anse: The Potential and the Limitations of a Hybrid Anthropology
- ‘Fightin’ the Future': Rhythm and Creolization in the Circum-Caribbean
- Leaving the South: Frantz Fanon, Modern Jazz and the Rejection of Négritude
- The Sorcerer and the Quimboiseur: Poetic Intention in the Works of Miles Davis and Édouard Glissant
- Creolizing Jazz, Jazzing the Tout-monde: Jazz, Gwoka and the Poetics of Relation
- Go Slow Now: Saying the Unsayable in Édouard Glissant's Reading of Faulkner
- Édouard Glissant and the Test of Faulkner's Modernism
- The Theme of the Ancestral Crime in the Novels of Faulkner, Glissant and Condé
- An American Story
- Notes on Contributors
- Index
(p.vii) Illustrations
(p.vii) Illustrations
- Source:
- American Creoles
- Publisher:
- Liverpool University Press
Fig. 1. La Baraqu’ Obama, Sainte-Luce, Martinique. January 2010. Photo courtesy of Anny Dominique Curtius. 83
Fig. 2. Rue Barack Obama, Le Diamant, Martinique. March 2010. Photo by Valérie Loichot. 83
Fig. 3. Laurent Valère's Memorial, Anse Cafard, with Diamond Rock in the background. Le Diamant, Martinique. March 2010. Photo by Valérie Loichot. 84
- Title Pages
- Illustrations
- Acknowledgements
- Introduction
- Lafcadio Hearn's American Writings and the Creole Continuum
- Auguste Lussan's La Famille créole: How Saint-Domingue Émigrés Became Louisiana Creoles
- Caribbean and Creole in New Orleans
- Creolizing Barack Obama
- Richard Price or the Canadian From Petite-Anse: The Potential and the Limitations of a Hybrid Anthropology
- ‘Fightin’ the Future': Rhythm and Creolization in the Circum-Caribbean
- Leaving the South: Frantz Fanon, Modern Jazz and the Rejection of Négritude
- The Sorcerer and the Quimboiseur: Poetic Intention in the Works of Miles Davis and Édouard Glissant
- Creolizing Jazz, Jazzing the Tout-monde: Jazz, Gwoka and the Poetics of Relation
- Go Slow Now: Saying the Unsayable in Édouard Glissant's Reading of Faulkner
- Édouard Glissant and the Test of Faulkner's Modernism
- The Theme of the Ancestral Crime in the Novels of Faulkner, Glissant and Condé
- An American Story
- Notes on Contributors
- Index
