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Spanish SpacesLandscape, Space and Place in Contemporary Spanish Culture$

Ann Davies

Print publication date: 2012

Print ISBN-13: 9781846318221

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846317750

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 17 September 2021

(p.ix) Acknowledgements

(p.ix) Acknowledgements

Source:
Spanish Spaces
Publisher:
Liverpool University Press

I would like to thank the following for their help: Ian Biddle for support and the loan of his copy of Henri Lefebvre's The Production of Space, Mitch Rose for discussion of his work and directing me to other useful ideas, Kirsty Hooper for discussions about traces and tracing, Beate Müller for helpful comments on some sections of my work, Sarah Leahy for drawing my attention to the work of Fiona Handyside, Deborah Shaw for sharing her work on Guillermo del Toro, Belén Vidal for allowing me to see an early draft of her work on Torremolinos 73, and Tom Whittaker for sharing his work on landscape in Spanish cinema. Parts of Chapters 2, 4, 5, 6 and 8 were given at conferences or as invited papers: thanks to participants and attendees who gave useful comments.

Part of Chapter 4 originally appeared as ‘Roads to Nowhere: How Terrorists Cross Space and Place in Cinema’, Bulletin of Hispanic Studies, 82/3 (2005): 343–55. Part of Chapter 5 originally appeared as ‘Can the Contemporary Crime Thriller be Spanish?’, Studies in European Cinema, 2/3 (2005): 173–83.

All translations from Spanish and French are my own. (p.x)