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Spanish SpacesLandscape, Space and Place in Contemporary Spanish Culture$

Ann Davies

Print publication date: 2012

Print ISBN-13: 9781846318221

Published to Liverpool Scholarship Online: June 2013

DOI: 10.5949/UPO9781846317750

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 17 September 2021

(p.xi) List of Illustrations

(p.xi) List of Illustrations

Source:
Spanish Spaces
Publisher:
Liverpool University Press

  1. 1 The orphanage and plain in El espinazo del diablo (dir. Guillermo del Toro; prod. Pedro Almodóvar et al.) 25

  2. 2 The maquis in the woods in El laberinto del fauno (dir. Guillermo del Toro; prod. Belén Atienza et al.) 35

  3. 3 Conchita looks at the threatening plain in El espinazo del diablo 36

  4. 4 Rural landscape in Ama lur (dir. Néstor Basterretxea and Fernando Larruquert; prod. Frontera Films) 62

  5. 5 Displaced interviewees: Bernardo Atxaga in La pelota vasca (dir. Julio Medem; prod. Julio Medem and Koldo Zuazua) 65

  6. 6 Arián is ordered to execute the hostage in El viaje de Arián (dir. Eduard Bosch; prod. Ángel Blasco) 74

  7. 7 Arián awaits death in El viaje de Arián 76

  8. 8 Pardo and his wife on the jetty in La caja 507 (dir. Enrique Urbizu; prod. Fernando Victoria de Lecea) 91

  9. 9 The luxury development that motivates the action of La caja 507 93

  10. 10 Charli's discomfort in the country in La voz de su amo (dir. Emilio Martínez-Lázaro; prod. Andrés Vicente Gómez) 96

  11. 11 Charli on a Bilbao bridge at the end of La voz de su amo 99

  12. 12 Eva as detective in Mataharis (dir. Icíar Bollaín; prod. Santiago García de Leániz) 113

  13. 13 Inés observes the city in Mataharis 114

  14. 14 Niña comforts Trini in Hola, ¿estás sola? (dir. Icíar Bollaín; prod. Fernando Colomo et al.) 127

  15. 15 Anna and Montserrat at the beach in Costa Brava (dir. and prod. Marta Balletbò-Coll) 130

  16. 16 The beach as pleasure and labour in Torremolinos 73 (dir. Pablo Berger; prod. Tomás Cimadevilla et al.) 137

  17. 17 The hinterland that inspires aspiration in Torremolinos 73 138

  18. 18 Shared roots: Curro and Adbembi on the beach in Poniente (dir. Chus Gutiérrez; prod. Ana Huete) 150

  19. 19 The disappearing immigrant: Adbembi in Poniente 151

  20. (p.xii) 20 Susanna and Said on the outskirts of Barcelona in Susanna (dir. and prod. Antonio Chavarrías) 156

  21. 21 The deserted Moroccan beach in Ilegal (dir. Ignacio Vilar; prod. Jorge Maroto and Mario Pedraza) 159

  22. 22 The romantic Spanish beach in Ilegal 160