- Title Pages
- Foreword
-
Introduction: Deconstructing The Starships
* -
1: Getting Rid of the Brand Names* -
2: The Lady and the Scientists* -
3: Dreamer: An Exercise in Extrapolation 1989–2019* -
4: My Crazy Uncles: C.S. Lewis and Tolkien as Writers for Children* -
5: Fools: The Neuroscience of Cyberspace* -
6: Trouble (Living in the Machine)* -
7: Sex: The Brains of Female Hyena Twins* -
8: Aliens in the Fourth Dimension -
9: In the Chinks of the World Machine: Sarah Lefanu on Feminist SF -
10: Consider Her Ways: The Fiction of C.J. Cherryh -
11: Alien Sex: Ellen Datlow’s Overview of the SF Orgasm -
12: The Boys Want to be with the Boys: Neal Stephenson’s Snow Crash -
13: Glory Season: David Brin’s Feminist Utopia -
14: Virtual Light: A Shocking Dose of Comfort and Joy from William Gibson -
15: Return to the Age of Wonder: John Barnes’s A Million Open Doors -
16: Winterlong: Elizabeth Hand at the End of the World -
17: Plague of Angels: The Fiction of Sheri Tepper -
18: The Furies: Suzy Charnas Beyond the End of the World -
19: Alien Influences: Kristine Kathryn Rusch in the Dark -
20: No Man’s Land: Feminised Landscapes in the Utopian Fiction of Ursula Le Guin - Notes
- Bibliography
- Acknowledgements
- Index
Getting Rid of the Brand Names
Getting Rid of the Brand Names
- Chapter:
- (p.9) 1: Getting Rid of the Brand Names*
- Source:
- Deconstructing the Starships
- Author(s):
Gwyneth Jones
- Publisher:
- Discontinued
This chapter is the first of four in the first section of the text titled ‘All Description is Science’. ‘Getting Rid of the Brand Names’ was first published in The World and I in October 1987 as part of a feature called ‘Science Fiction and Reality’. The essay focuses heavily on the language of science fiction and interprets the requirements of a science fiction story. It discusses the use of unnatural language; invented language; and language games, while looking at the importance of borrowing from real-world culture to furnish an imaginary world. The chapter also pays attention to the study of science in science fiction and analyses the ways in which narrative time can be used to accompany a story.
Keywords: English Literature, Literary Criticism, Science Fiction, Fantasy Writing, 20th Century Literature, Contemporary Literature
Liverpool Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Foreword
-
Introduction: Deconstructing The Starships
* -
1: Getting Rid of the Brand Names* -
2: The Lady and the Scientists* -
3: Dreamer: An Exercise in Extrapolation 1989–2019* -
4: My Crazy Uncles: C.S. Lewis and Tolkien as Writers for Children* -
5: Fools: The Neuroscience of Cyberspace* -
6: Trouble (Living in the Machine)* -
7: Sex: The Brains of Female Hyena Twins* -
8: Aliens in the Fourth Dimension -
9: In the Chinks of the World Machine: Sarah Lefanu on Feminist SF -
10: Consider Her Ways: The Fiction of C.J. Cherryh -
11: Alien Sex: Ellen Datlow’s Overview of the SF Orgasm -
12: The Boys Want to be with the Boys: Neal Stephenson’s Snow Crash -
13: Glory Season: David Brin’s Feminist Utopia -
14: Virtual Light: A Shocking Dose of Comfort and Joy from William Gibson -
15: Return to the Age of Wonder: John Barnes’s A Million Open Doors -
16: Winterlong: Elizabeth Hand at the End of the World -
17: Plague of Angels: The Fiction of Sheri Tepper -
18: The Furies: Suzy Charnas Beyond the End of the World -
19: Alien Influences: Kristine Kathryn Rusch in the Dark -
20: No Man’s Land: Feminised Landscapes in the Utopian Fiction of Ursula Le Guin - Notes
- Bibliography
- Acknowledgements
- Index