Show Summary Details
- Title Pages
- Dedication
- Acknowledgements
- Preface
- A Note on Editions
- Abbreviations
-
Part I Initiations -
1. ‘Silhouette’: An Introduction to Gene Wolfe -
2. ‘Trip, Trap’: Psychology and Thematic Coherence -
3. ‘In the House of Gingerbread’: Interpretative Games and the Psychology of Reader Response -
4. ‘The God and His Man’: Critical Responses to The Urth Cycle -
Part II Investigations: The Urth Cycle -
5. ‘The Toy Theatre’: Uncovering the Story of the Urth Cycle1 -
6. ‘The Last Thrilling Wonder Story’? Intergeneric Operations -
7. ‘How the Whip Came Back’: Directing Reader Response1 -
8. ‘Cues’: The Function of Unfamiliar Diction -
9. ‘There Are Doors’: Memory and Textual Structure -
10. ‘A Solar Labyrinth’: Metafictional Devices and Textual Complexity -
Part III Conclusions -
11. ‘The Map’: The Multi-volume Novels and Metafictional Cartography1 - Bibliography
- Index
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- Title Pages
- Dedication
- Acknowledgements
- Preface
- A Note on Editions
- Abbreviations
-
Part I Initiations -
1. ‘Silhouette’: An Introduction to Gene Wolfe -
2. ‘Trip, Trap’: Psychology and Thematic Coherence -
3. ‘In the House of Gingerbread’: Interpretative Games and the Psychology of Reader Response -
4. ‘The God and His Man’: Critical Responses to The Urth Cycle -
Part II Investigations: The Urth Cycle -
5. ‘The Toy Theatre’: Uncovering the Story of the Urth Cycle1 -
6. ‘The Last Thrilling Wonder Story’? Intergeneric Operations -
7. ‘How the Whip Came Back’: Directing Reader Response1 -
8. ‘Cues’: The Function of Unfamiliar Diction -
9. ‘There Are Doors’: Memory and Textual Structure -
10. ‘A Solar Labyrinth’: Metafictional Devices and Textual Complexity -
Part III Conclusions -
11. ‘The Map’: The Multi-volume Novels and Metafictional Cartography1 - Bibliography
- Index
