- Title Pages
- Frontispiece
- Preface
- Introduction
- Acknowledgments
- Virginia Woolf Standard Abbreviations
- “But…I had said ‘but’ too often.” Why “but”?
- Woolf, Context, and Contradiction
- “Did I not banish the soul?” Thinking Otherwise, Woolf-wise
- “The Play’s The Thing BUT We Are The Thing Itself.” Prologue, Performance and Painting. A multimedia Exploration of Woolf’s Work in the Late 1930s and Her Vision of Prehistory.
- Report to the Memoir Club
- “But somebody you wouldn’t forget in a hurry”
- Contradictions in Autobiography
- “But something betwixt and between”
- “Can ‘I’ Become ‘We’?”
- Woolf’s Un/Folding(s)
- Woolf’s Contradictory Thinking
- The Feeling of Knowing in <i>Mrs Dalloway</i>
- “When the lights of health go down”
- Kinetic Tropes, Comedic Turns
- But Woolf was a Sophisticated Observer of Fashion…
- Bi-sexing the Unmentionable Mary Hamiltons in <i>A Room of One’s Own</i>
- Lacanian <i>Orlando</i>
- The Bispecies Environment, Coevolution, and <i>Flush</i>
- From Spaniel Club to An<i>i</i>Malous Society
- Ecology, Identity and Eschatology
- “Please Help Me!” Virginia Woolf, Viola Tree, and the Hogarth Press<sup>1</sup>
- “Am I a Snob?” Well, sort of
- “Come buy, come buy”
- Virginia Woolf and December 1910
- Virginia Woolf on Mathematics
- “A Brief Note in the Margin”
- “Observe, Observe Perpetually,” Montaigne, Virginia Woolf and the “<i>Patron au Dedans</i>.”
- Who’s Behind the Curtain? Virginia Woolf, “Nurse Lugton’s Golden Thimble,” and the Anxiety of Authorship
- Virginia Woolf and the Russian Oxymoron
- “A Dialogue…about this Beauty and Truth”
- “As I spin along the roads I remodel my life”
- Travesty in Woolf and Proust
- Woolf, Yeats, and the Making of “Spilt Milk”
- Figures of Contradiction
- Do Not Feed the birds
- Approaches to War and Peace in Woolf
- Duncan Grant
- Notes on Contributors
- Conference Program
Ecology, Identity and Eschatology
Ecology, Identity and Eschatology
Crossing the Country and the City in Woolf
- Chapter:
- (p.166) Ecology, Identity and Eschatology
- Source:
- Contradictory Woolf
- Author(s):
Sam Wiseman
- Publisher:
- Liverpool University Press
This chapter explores the crossings between nature and culture by focusing on the affinities and interconnections between the rural and urban environments in Virginia Woolf's work. It highlights the modernist cosmopolitan experience portrayed in Woolf's writing by discussing passages from Orlando, Between the Acts, and “Street Haunting: A London Adventure.” It considers Woolf's ideas about ecology and eschatology in relation to city and country, as well as her suggestion that the cosmopolitan, transient dynamics of modernity provoke a crisis of English national identity. It also examines Woolf's position about the crisis engendered by the artificial urban-rural dualism in connection to our relationship with the environment and nonhuman animals.
Keywords: nature, culture, country, city, ecology, national identity, eschatology, modernity, nonhuman animals
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- Title Pages
- Frontispiece
- Preface
- Introduction
- Acknowledgments
- Virginia Woolf Standard Abbreviations
- “But…I had said ‘but’ too often.” Why “but”?
- Woolf, Context, and Contradiction
- “Did I not banish the soul?” Thinking Otherwise, Woolf-wise
- “The Play’s The Thing BUT We Are The Thing Itself.” Prologue, Performance and Painting. A multimedia Exploration of Woolf’s Work in the Late 1930s and Her Vision of Prehistory.
- Report to the Memoir Club
- “But somebody you wouldn’t forget in a hurry”
- Contradictions in Autobiography
- “But something betwixt and between”
- “Can ‘I’ Become ‘We’?”
- Woolf’s Un/Folding(s)
- Woolf’s Contradictory Thinking
- The Feeling of Knowing in <i>Mrs Dalloway</i>
- “When the lights of health go down”
- Kinetic Tropes, Comedic Turns
- But Woolf was a Sophisticated Observer of Fashion…
- Bi-sexing the Unmentionable Mary Hamiltons in <i>A Room of One’s Own</i>
- Lacanian <i>Orlando</i>
- The Bispecies Environment, Coevolution, and <i>Flush</i>
- From Spaniel Club to An<i>i</i>Malous Society
- Ecology, Identity and Eschatology
- “Please Help Me!” Virginia Woolf, Viola Tree, and the Hogarth Press<sup>1</sup>
- “Am I a Snob?” Well, sort of
- “Come buy, come buy”
- Virginia Woolf and December 1910
- Virginia Woolf on Mathematics
- “A Brief Note in the Margin”
- “Observe, Observe Perpetually,” Montaigne, Virginia Woolf and the “<i>Patron au Dedans</i>.”
- Who’s Behind the Curtain? Virginia Woolf, “Nurse Lugton’s Golden Thimble,” and the Anxiety of Authorship
- Virginia Woolf and the Russian Oxymoron
- “A Dialogue…about this Beauty and Truth”
- “As I spin along the roads I remodel my life”
- Travesty in Woolf and Proust
- Woolf, Yeats, and the Making of “Spilt Milk”
- Figures of Contradiction
- Do Not Feed the birds
- Approaches to War and Peace in Woolf
- Duncan Grant
- Notes on Contributors
- Conference Program