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Interdisciplinary/Multidisciplinary Woolf$
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Ann Martin and Kathryn Holland

Print publication date: 2013

Print ISBN-13: 9780989082624

Published to Liverpool Scholarship Online: January 2016

DOI: 10.5949/liverpool/9780989082624.001.0001

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PRINTED FROM LIVERPOOL SCHOLARSHIP ONLINE (www.liverpool.universitypressscholarship.com). (c) Copyright Liverpool University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in LSO for personal use.date: 26 September 2021

Work as Salvation

Work as Salvation

Eureka’s Angel in the House, A Director’s Experience

Chapter:
(p.171) Work as Salvation
Source:
Interdisciplinary/Multidisciplinary Woolf
Author(s):

Charlie Peters

Publisher:
Liverpool University Press
DOI:10.5949/liverpool/9780989082624.003.0021

This chapter examines the issue of autonomy for Vanessa Bell in Eureka's dramatic visioning of Charleston and the demands of both house and art. In the play Angel in the House, Eureka chronicles more than sixty years in the lives of painters Vanessa Bell and Duncan Grant, members of the Bloomsbury Group, from their beginnings as emerging artists struggling to sort out their personal and artistic desires, through family struggles and beyond two world wars, ending with Bell's death in 1961. Focusing on Angel in the House, the chapter addresses three contexts: Bell's work as a woman and artist in a post-Victorian world; Eureka's work with the Ridiculous Theatre Company at the height of the AIDS crisis; and Charlie's own approach to complexities of creation in 2012.

Keywords:   autonomy, Vanessa Bell, Eureka, Charleston, art, Angel in the House, Duncan Grant, Ridiculous Theatre Company, creation

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